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Private gun ownership for self-defense remains a major personal and public issue in the United States, driven by concerns about crime, vulnerability and a range of ‘ideological’ factors, including race and gender. As media attention centres upon the extent to which women are taking up firearms, with the gun lobby and firearms manufacturers celebrating the ‘new armed woman’, and guns being promoted as ‘Rape Prevention Kits’, this book explores the changing gendered aspects of gun ownership. Can ownership of firearms by women be considered, as some have claimed, the embodiment of what might be termed ‘pioneer feminism’, as women resist male violence in a dangerous world, or are...
Bhabha, in his preface, writes 'Nations, like narratives, lose their origins in the myths of time and only fully encounter their horizons in the mind's eye'. From this seemingly impossibly metaphorical beginning, this volume confronts the realities of the concept of nationhood as it is lived and the profound ambivalence of language as it is written. From Gillian Beer's reading of Virginia Woolf, Rachel Bowlby's cultural history of Uncle Tom's Cabin and Francis Mulhern's study of Leaviste's 'English ethics'; to Doris Sommer's study of the 'magical realism' of Latin American fiction and Sneja Gunew's analysis of Australian writing, Nation and Narration is a celebration of the fact that English is no longer an English national consciousness, which is not nationalist, but is the only thing that will give us an international dimension.
Bhabha, in his preface, writes 'Nations, like narratives, lose their origins in the myths of time and only fully encounter their horizons in the mind's eye'. From this seemingly impossibly metaphorical beginning, this volume confronts the realities of the concept of nationhood as it is lived and the profound ambivalence of language as it is written. From Gillian Beer's reading of Virginia Woolf, Rachel Bowlby's cultural history of Uncle Tom's Cabin and Francis Mulhern's study of Leaviste's 'English ethics'; to Doris Sommer's study of the 'magical realism' of Latin American fiction and Sneja Gunew's analysis of Australian writing, Nation and Narration is a celebration of the fact that English is no longer an English national consciousness, which is not nationalist, but is the only thing that will give us an international dimension.
In The Gun Gap, Mark R. Joslyn advances gun owners as a new classification for understanding political behavior and attitudes. He demonstrates a "gun gap," which captures the differences between gun owners and non-gun owners, and shows how this gap improves conventional behavioral and attitudinal models. The gap represents an important explanation for voter choice, voter turnout, perceptions of personal and public safety, preferences for gun control policies, and support for the death penalty. Moreover, the 2016 presidential election witnessed the largest recorded gun gap in history. The Gun Gap thus affords a new and compelling vantage point to evaluate modern mass politics.
Judith Butler and conservative Christian theology are often perceived to be antithetical on questions of gender. In Reforming a Theology of Gender they are shown to be strange bedfellows. By engaging in dialogue with Butler on her terms--desire, violence, and life--this book absorbs the heart of Butler's critique, revealing a righteous law and a seductive image in conservative theologies of gender. The law of Adam and Eve manifests in the unjust administration of guilt, grief, and death. By confronting this law, which in fact condemns all in their bodies, further reflection on Butler's thought leads to thinking about where one finds life in one's body of death. The seductive image of Adam and Eve is revealed to be a false hope and a site that induces slave morality or body-works-based righteousness. Butler's voice is strangely prophetic because it calls the church to offer hope and life by reorienting its gaze from the beautiful yet lifeless bodies of Adam and Eve to the bloodied and scarred, risen body of Jesus Christ. Gender, in the end, is shown to be a vocation of becoming what one is not.
Reexamines the notion of the "hyphenate writer," and offers a specific reading strategy that we may consider the Italian/American writer in the age of semiotics, poststructuralism, and the like.
Is Ali Mazrui a visonary or a "vacuous" intellectual? Is he recationary, revolutionary or essentially a radical pragmatist? These questions were the focus of a special plenary session of the Conference of the African Assocation of Political Science that took place in Harrare, Zimbabwe, in June 2003. The forum was intended to interrogate Ali Mazrui's contributions in the last forty years or so of his career as an academic. The question themselves capture the magnitude of polarization among different sections of Mazrui's audiences generated by his often provocative propositions amd prescriptions on a wide range of issues---from the role of intellectuals in Africa's transformation to the impera...
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Anticipating the auspicious convergence of his 60th birthday and the 30th anniversary of his professorial debut, Ali A. Mazrui's students, friends, and colleagues seized the opportunity to critically assess the significance of the prodigious body of scholarship affectionately dubbed "Mazruiana". In November 1992, in Seattle, Washington, four panels devoted exclusively to Mazruiana were convened at the annual meetings of the African Studies Association, with the added attraction of Mazrui's attendance at the convocation and his immediate personal response to the original papers presented there. While no single volume could do justice to Mazrui's colossal literary output, here at least is gath...