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I Keep Vigil of Rudra
One of the only collections of Vachana poetry in translation—a must read for all poetry lovers. Here I come, a ferryman without a body To the great flowing river. If you pay the price– Your mind That grasps and lets go, I shall take you across” Vachana poetry in Kannada literature attained its zenith in the twelfth century. Passionate, intensely personal, and ahead of their times, these free-verse poems speak eloquently of the futility of formal learning, the vanity of wealth and the evils of social divisions. The vachanas stress on the worship of Shiva, through love, labour and devotion, as the only worthwhile life-goal for the vachanakara—the vachana poet. This collection offers a selection of vachanas composed by a wide range of vachanakaras from different walks of life writing during that period. While some of these poets are well known even today, most have been forgotten. Translated fluidly and with great skill by H.S. Shivaprakash, I Keep Vigil of Rudra is not only an important addition to Vachana literature, but also a must read for lovers of poetry everywhere.
The Word in the World
The Word in the World is a collection of essays and lectures by H S Shivaprakash, a well-known poet, playwright, and translator. Edited by Kamalakar Bhat, this book brings together Prof Shivaprakash’s interventions in the realm of issues that are entwined with the continuities and discontinuities in the cultural negotiations of India. Distinctively, these are essays on subjects ranging from the nature and significance of medieval works of literature in India to issues arising out of developments in Indian aesthetics. The unfeigned magnitude of this work must be found among students and scholars, who will gain from it a perspective significantly different from the ones available in the prevailing academic discourses, thus indicating a way beyond poststructuralist/postmodernist frameworks. This is a book that will interest a wide variety of readers with its engaging insights and breadth of reference especially because it is written in a comprehensible style. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)
Everyday Yogi
Not every spiritual master receives devotees and disciples in an ashram, nor delivers discourses for the public. Many stay away from the mainstream, focused on their spiritual goals and practice. They do not believe in institutions; their intent is achieving and guiding others towards self-realization. H.S. Shivaprakash, a renowned poet, scholar and playwright, has known many spiritual adepts in the course of his life, and has had the good fortune to be accepted as a disciple by them. Translated from the bestselling Kannada book, Batteesa Raga, Everyday Yogi tells the stories of powerful Christian mystics, Hindu gurus and Sufi pirs - untold stories that are as surprising as they are inspirin...
The Multivalence of an Epic
This volume examines The Rāmāyaṇa traditions of South India and Southeast Asia. Bringing together 19 well-known scholars in Rāmāyaṇa studies from Cambodia, Canada, France, India, Indonesia, Malaysia, Singapore, Thailand, UK, and USA, this thought-provoking and elegantly illustrated volume engages with the inherent plurality, diversity, and adaptability of the Rāmāyaṇa in changing socio-political, religious, and cultural contexts. The journey and localization of the Rāmāyaṇa is explored in its manifold expressions – from classical to folk, from temples and palaces to theatres and by-lanes in cities and villages, and from ancient to modern times. Regional Rāmāyaṇas from d...
The Book on Trial
Existence of the freedom to read, write, print, publish, discuss, debate, and dispute creative writing and dissident writing in India.
The Poetic Saree
A dazzling collection of poetry, full of beauty and grace.' - Sonia Faleiro, author We see words becoming dance in Jaya's poetry'- Leo Spreksel, Artistic director, Korzo Festival, Netherlands 'In these poems, the colours, images, elements, rhythm and the flow of nature, the spins, swirls and ecstatic movements of the dancer become the poem, in which the meaning is dance itself.' - H S Shivaprakash, Kannada poet and playwright ' These poems will inspire everyone to listen to themselves and to the world around them.’ - Sayantani Dasgupta, author Art becomes life seasons the stage trees and flowers conspire till every art mingles, to lose itself, in the heart of the human. Just like the silk saree that evokes jewel-like emotions within its wearer, Jaya Mehta brings a rich and sumptuous feel to poetry in the Poetic Saree. The poems in this collection explore the moods and themes of Indian art, the delights of nature and the landscape of the heart. Performed at the India Dance Festival in Netherlands, published by the Levure Litteraire, and filmed as videos in the 'Poetic Saree project', these poems have already leapt off the written page.
The Ruins Lesson
How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms. Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.
More Than Real
From the late fifteenth to the eighteenth centuries, the imagination came to be recognized in South Indian culture as the defining feature of human beings. Shulman elucidates the distinctiveness of South Indian theories of the imagination and shows how they differ radically from Western notions of reality and models of the mind.
Guru
'Spiritual freedom is to be found in the world, not away from it...' Why do I need a guru? Why should I meditate? What is the use of mantras? Why does the breath matter in spiritual practice? What is the significance of sexuality on the spiritual path? What do I do with the restless mind? Such questions, vital to the understanding of the self and the world, are examined in Guru: Ten Doors to Ancient Wisdom. Using the metaphor of doors, the reader is invited to enter different 'chambers', each one presenting the opportunity to explore experience the spiritual truths contained therein. The reader also learns how these spiritual concepts are, finally, only tools to take the practitioner to the ultimate goal: union with the Divine. Whether you want to begin your spiritual practice or simply understand the core concepts of Indian spirituality, this illuminating work by renowned playwright and spiritual guide, H.S. Shivaprakash, is sure to light up your path.
Mahachaitra, the Great Spring, and Other Plays
H. S. Shiva Prakash, Kannada poet and playwright, writes from within a regionally culture-specific environment, while grappling with pressing contemporary issues like consumerism, desacralization of humankind and nature, and the tension between colonial cultural influences and native traditions. The three plays in this volume, Mahachaitra the Great Spring, Sultan Tipu, Madari Madaiah, were written and staged beween 1986 and 1995, and they focus on three figures who have had a decisive influence on Kannada history and culture Basavanna, the revolutionary religious genius and saint of twelfth century Karnataka; Madaiah the Cobbler, a legendary character who had a great impact on the backward c...
