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Hadewijch
Hadewijch, c. 1210-160, commands increasing attention internationally. As an author, she is extremely creative and artistic. As a beguine, she belongs to a revolutionary women's movement formed by religious women who, conscious of their gender, did not wish to enter into either marriage or a convent. Spiritually and materially independent, these first beguines come into conflict with social order, and endure the reaction of clerics, religious and secular authorities, and those in orders. As a mystic, Hadewijch illuminates both the glorious aspects of the love-relationship with God and its painful aspect: with the enjoyment of love (minne) goes an increasingly intense desire; in unity, the alterity of the Beloved becomes all the stronger. Consequently, union with God is not a spiritual elevation by which a person is released from his or her being human: the authentic mystical being-one consists rather of the interplay between resting in God and working in this world, between being God with God and being man with the Man (Christ). You must live as a human being! - this is the kernel of Hadewijch's life and teaching.
Hadewijch. the Complete Letters
Hadewijch, a Flemish beguine, who lived and wrote somewhere in Brabant during the thirteenth century, has brought mystical literature as a whole to its highest point. Hadewijch's teaching is most accessible in her Letters, as there it is cast in a mould that succeeds in touching the senses as well as the mind. In her text, oral and written culture combine to form an organic unity: when Hadewijch writes, she not only builds sentences with words but composes sounds as well. In these mystical texts, minne ("love") is pivotal as regards both form and content -- a distinction which Hadewijch largely overrides. As regards form, minne serves as a catchword which occurs everywhere, again and again, ...
Poetry of Hadewijch
The Stanzaic Poems, written by Hadewijch of Antwerp in the 13th century, are a body of 45 lyrical poems in stanzas. They are daring God-talk in the guise of courtly love songs. Hadewijch uses the linguistic style of chivalry but her poems are by no means courtly poetry. She shifts the current meaning of chivalry by transferring its context to a field of meaning focused on God. Because of the view of Minne (=love) that is embodied in them, the Stanzaic Poems are an exponent of the age old tradition of women's songs - of which the Song of Songs is the best known example - and as such they are an expression of a particular manner of keeping company with God: they celebrate a relationship of mutuality between partners equivalent in love. An introductory essay highlights some of the striking points of lovers: the raging desire of 'orewoet': the gentility of humankind's origin. This essay is followed by a rendering of the Stanzaic Poems from Middle-Dutch into Modern English prose. With an introduction by Edward Schillebeeckx.
The Complete Works
Hadewijch, a Flemish Beguine of the 13th century, is undoubtedly the most important exponent of love mysticism and one of the loftiest figures in the western mystical tradition.
Hadewijch and Her Sisters
Hadewijch, a thirteenth-century woman, describes her relationship with God as a mutual loving in which God and she affect each other personally and profoundly. This book presents in detail the account by Hadewijch of this supreme and most satisfying experience. Presented here are phenomenologically specific traits of the bodily knowing that Hadewijch and other women of her time and place prized in their devotion to Christ and his saints. The opposition to the traditional Western ideal and norm is evident. In prizing embodied mutuality, Hadewijch has learned from Bernard of Clairvaux, but sees much more.
Nobility and Annihilation in Marguerite Porete's Mirror of Simple Souls
This first book-length study of Marguerite Porete's important mystical text, The Mirror of Simple Souls, examines Porete's esoteric and optimistic doctrine of annihilation—the complete transformative union of the soul into God—in its philosophical and historical contexts. Porete was burned at the stake as a relapsed heretic in 1310. Her theological treatise survived the flames, but it circulated anonymously or under male pseudonyms until 1946, and her message endures as testament to a distinctive form of medieval spirituality. Robinson begins by focusing on traditional speculations regarding the origin, nature, limitations, and destiny of humankind. She then examines Porete's work in its more immediate historical and literary contexts, focusing on the ways in which Porete conceptualizes and expresses her radical doctrine of annihilation through contemporary metaphors of lineage and nobility.
The Silent God and the Silenced
A groundbreaking exploration of the transformative power of silence The Silent God and the Silenced: Mysticism and Contemplation amid Suffering explores the theological and spiritual dimensions of silence, challenging traditional speech/silence dichotomies. Cho investigates the silenced voices of the vulnerable, interweaving Christian mysticism, literature, and art to reveal silence's subversive potential in unlearning dominant narratives. The book advocates a theological approach that seriously considers silence and prioritizes attentive listening to promote genuine accountability. By engaging with figures such as Evagrius Ponticus, Hadewijch of Antwerp, Michel de Certeau, and Simone Weil, ...
Meister Eckhart and the Beguine Mystics
"A collection of scholarly essays on Marguerite Porete and other 14th-century Beguine mystics and the influence of these women on the thought of Meister Eckhart".--Common Boundary.
