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The Cambridge Companion to Christian Mysticism
The Cambridge Companion to Christian Mysticism is a multi-authored interdisciplinary guide to the study of Christian mysticism, with an emphasis on the third through the seventeenth centuries. The book is thematically organized in terms of the central contexts, practices and concepts associated with the mystical life in early, medieval and early modern Christianity. This book looks beyond the term 'mysticism', which was an early modern invention, to explore the ways in which the ancient terms 'mystic' and 'mystical' were used in the Christian tradition: what kinds of practices, modes of life and experiences were described as 'mystical'? What understanding of Christianity and of the life of Christian perfection is articulated through mystical interpretations of scripture, mystical contemplation, mystical vision, mystical theology or mystical union? This volume both provides a clear introduction to the Christian mystical life and articulates a bold new approach to the study of mysticism.
Hadewijch
Hadewijch, c. 1210-160, commands increasing attention internationally. As an author, she is extremely creative and artistic. As a beguine, she belongs to a revolutionary women's movement formed by religious women who, conscious of their gender, did not wish to enter into either marriage or a convent. Spiritually and materially independent, these first beguines come into conflict with social order, and endure the reaction of clerics, religious and secular authorities, and those in orders. As a mystic, Hadewijch illuminates both the glorious aspects of the love-relationship with God and its painful aspect: with the enjoyment of love (minne) goes an increasingly intense desire; in unity, the alterity of the Beloved becomes all the stronger. Consequently, union with God is not a spiritual elevation by which a person is released from his or her being human: the authentic mystical being-one consists rather of the interplay between resting in God and working in this world, between being God with God and being man with the Man (Christ). You must live as a human being! - this is the kernel of Hadewijch's life and teaching.
A Companion to Jesuit Mysticism
In A Companion to Jesuit Mysticism, Robert A. Maryks provides thirteen unique essays discussing the Jesuit mystical tradition, a somewhat neglected aspect of Jesuit historiography that stretches as far back as the order’s co-founder, Ignatius of Loyola, his spiritual visions at Manresa, and ultimately the mystical perspective contained in his Spiritual Exercises. The volume’s contributions on the most significant representatives of the Jesuit mystical tradition—from Baltasar Álvarez to Louis Lallemant to Hugo Makibi Enomiya-Lassalle—aim to fill this lacuna in Jesuit historiography. Although intended primarily as a handbook for scholars seeking to further their own research in this area, the volume will undoubtedly be of interest to scholars and students of Jesuit studies more broadly.
Reception of Northrop Frye
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
The Immediacy of Mystical Experience in the European Tradition
This volume examines mystical experiences as portrayed in various ways by “authors” such as philosophers, mystics, psychoanalysts, writers, and peasant women. These “mystical authors” have, throughout the ages, attempted to convey the unsayable through writings, paintings, or oral stories. The immediate experience of God is the primary source and ultimate goal of these mystical expressions. This experience is essentially ineffable, yet all mystical authors, either consciously or unconsciously, feel an urge to convey what they have undergone in the moments of rapture. At the same time they are in the role of intermediaries: the goal of their self-expression – either written, painted or oral – is to make others somehow understand or feel what they have experienced, and to lead others toward the spiritual goal of human life. This volume studies the mystical experiences and the way they have been described or portrayed in West-European culture, from Antiquity to the present, from an interdisciplinary perspective, and approaches the concept of “immediate experience” in various ways.
On Deification and Sacred Eloquence
This book considers the place of deification in the writings of Julian of Norwich and Richard Rolle, two of the fourteenth-century English Mystics. It argues that, as a consequence of a belief in deification, both produce writing that is helpfully viewed as sacred eloquence. The book begins by discussing the nature of deification, employing Norman Russell’s typology. It explores the realistic and ethical approaches found in the writings of several Early Greek Fathers, including Irenaeus of Lyons, Cyril of Alexandria, Origen, and Evagrius Ponticus, as well as engaging with the debate around whether deification is a theological idea found in the West across its history. The book then turns i...
Sensory Reflections
This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.
Uncovering Music of Early European Women (1250-1750)
Uncovering Music of Early European Women (1250 – 1750) brings together nine chapters that investigate aspects of female music-making and musical experience in the medieval and early modern periods. Part I, "Notes from the Underground," treats the spirituality of women in solitude and in community. Parts II and III, "Interlude" and "Music for Royal Rivals," respond to Joan Kelly’s famous feminist question and suggest that women of a certain stature did have a Renaissance. Part IV, "Serenissime Sirene," plays with the notion of the allure of music and its risks in Venice during the Baroque. The process of uncovering requires close listening to women’s creative endeavors in an ongoing effort to piece together equitably the terrain of early music. Contributors include: Cynthia J. Cyrus, Claire Fontijn, Catherine E. Gordon, Laura Jeppesen, Eva Kuhn, Anne MacNeil, Jason Stoessel, Elizabeth Randell Upton, and Laurence Wuidar. An invaluable book for college students and scholars interested in the social and cultural meanings of women in early music.
A Companion to Mysticism and Devotion in Northern Germany in the Late Middle Ages
The volume explores the hitherto uncharted late medieval religious landscape of Northern Germany, from 13th-century Helfta to the 15th-century Lüneburg convents. The mystical and devotional writing of Northern Germany is contextualised through chapters on the Netherlands, Scandinavia and East Prussia. The seminal influence of the liturgy on these texts and their transmission is revealed in the creative interplay of Latin and Low German. Through the individual chapters and their appendices, which also contain translations into English, the reader can access a wealth of texts produced by communities of religious and lay women who write learnedly in Latin and fervently in Low German. Together, the chapters and appendices reveal a fascinating regional "mystical culture" which also reverberated across Northern Europe. Contributors include: Jürgen Bärsch, Anne Bollmann, Veerle Fraeters, Ulrike Hascher-Burger, Ernst Hellgardt, Tanja Mattern, Balazs Nemes, Sara S. Poor, Eva Schlotheuber, Almut Suerbaum, and Geert Warnar.
In het spoor van Hadewijch
Hadewijch was een 13e-eeuwse Brabants dichteres en mystica. Mogelijk was zij een begijn, maar aangezien er geen getuigenissen over haar leven bewaard zijn gebleven, weten we daarover niets met zekerheid. Haar werk wordt beschouwd als een van de hoogtepunten in de Nederlandstalige literatuur. In Welk een ketter is die vrouw geweest! De plaats van Albert Verwey in de Hadewijchreceptie beschreef Annette van Dijk hoe Albert Verwey (1865-1937) zich als dichter, vertaler, criticus en hoogleraar met het werk van Hadewijch heeft beziggehouden. In het spoor van Hadewijch laat zien hoe kunstenaars zich door Hadewijch hebben laten inspireren en hoe zij, ook buiten de kring van mensen met belangstelling voor middeleeuwse geestelijke letterkunde, lezers wist te boeien met geschriften die passen in een lange, in onze tijd nog steeds voortlevende traditie. Annette van Dijk bespreekt de mystica in dit werk vanuit de geschiedenis, de middeleeuwse literatuur, de moderne letterkunde en de theologie. Hadewijch blijkt verrassend actueel.
