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The Epic of Kings
Hakim Abol-Qasem Ferdowsi Tusi, more commonly transliterated as Ferdowsi, (935-1020) was a highly revered Persian poet. He was the author of the Shahnameh (The Epic of Kings), the national epic of the Persian-speaking world as well as the entire Iranian realm. He started his composition of the Shahnameh (The Epic of Kings) in 977 A. D. After 30 years of hard work, he finished the book and went to present it to Sultan Mahmud of Ghazni. The latter showed lack of interest in Ferdowsi and his lifework. Ferdowsi returned to his hometown heartbroken and enraged. He died in poverty, embittered by royal neglect, though fully confident of his work's ultimate success and fame. He has a unique place in Persian history because of the strides he made in reviving and regenerating the Persian language and cultural traditions. His works are cited as a crucial component in the persistence of the Persian language, as those works allowed much of the tongue to remain codified and intact. Many modern Iranians see him as the father of the modern Persian language.
Shahnameh
The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among t...
A Brief History of Afghanistan
Located along the busy trade routes between Asia and Europe, Afghanistan was for centuries a place where a diverse set of cultures met and exchanged goods and ideas.
Rostam
The selected adventures of Persia's Hercules, from Iran's great national epic No understanding of world mythology is complete without acquaintance with Rostam, Iran's most celebrated mythological hero. According to the Shahnameh (the tenth-century Book of Kings), this titan, magnificent in strength and courage, bestrode Persia for 500 years. While he often served fickle kings - undergoing many trials of combat, cunning, and endurance - he was never their servant and owed allegiance only to his nation's greater good. Anyone interested in folklore, world literature, or Iranian culture will find Rostam both a rousing and illuminating read. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout world history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Shahnameh
The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem. In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insi...
Nationalism in Architecture of Modern Iran
A historical account of the development of nationalism in Iranian architecture between 1905 and 2015. Nationalism in Architecture of Modern Iran is the first comprehensive book on modern architecture in Iran to be published in English. It addresses the relationship between nationalism and architecture in Iran and discusses the role Western architects played in the development of modern architecture in the country while introducing some of the most significant and recent projects in Iran. It investigates what it means to design a building that bears an Iranian or Islamic-Iranian identity and how to construct a conceptual platform for critically assessing representations of national identity in contemporary architecture. This book will directly help practicing architects and policymakers of the built environment, especially in Iran, as well as give a comprehensive understanding of the modern history of architecture in Iran to art historians and a broader audience. It introduces some of the most significant and recent projects in Iran for the first time.
Secularism and Identity
Within western political, media and academic discourses, Muslim communities are predominantly seen through the prism of their Islamic religiosities, yet there exist within diasporic communities unique and complex secularisms. Drawing on detailed interview and ethnographic material gathered in the UK, this book examines the ways in which a form of secularism – ‘non-Islamiosity’ – amongst members of the Iranian diaspora shapes ideas and practices of diasporic community and identity, as well as wider social relations.
Secularism and Identity
Within western political, media and academic discourses, Muslim communities are predominantly seen through the prism of their Islamic religiosities, yet there exist within diasporic communities unique and complex secularisms. Drawing on detailed interview and ethnographic material gathered in the UK, this book examines the ways in which a form of secularism - ’non-Islamiosity’ - amongst members of the Iranian diaspora shapes ideas and practices of diasporic community and identity, as well as wider social relations. In addition to developing a novel theoretical paradigm to make sense of the manner in which diasporic communities construct and live diasporic identity and consciousness in a ...
Historical Dictionary of Middle Eastern Cinema
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on individual films, filmmakers, actors, significant historical figures, events, and concepts, and the countries themselves. It also covers the range of cinematic modes from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda. This book is an excellent resource for students, researchers, and anyone wanting to know more about Middle Eastern cinema.
