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Reading History in Children's Books
This book offers a critical account of historical books about Britain written for children, including realist novels, non-fiction, fantasy and alternative histories. It also investigates the literary, ideological and philosophical challenges involved in writing about the past, especially for an audience whose knowledge of history is often limited.
What There Is to Say We Have Said
Letters revealing a lost literary world—and a unique friendship between a brilliant author and a New Yorker editor. For over fifty years, Eudora Welty and William Maxwell, two of our most admired writers, penned letters to each other. They shared their worries about work and family, literary opinions and scuttlebutt, and moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationship—both in Maxwell’s capacity as New Yorker editor and in their collegial back-and-forth on their work. It’s also a chronicle of the literary...
Reading History in Children's Books
This book offers a critical account of historical books about Britain written for children, including realist novels, non-fiction, fantasy and alternative histories. It also investigates the literary, ideological and philosophical challenges involved in writing about the past, especially for an audience whose knowledge of history is often limited.
Neo-Victorianism and Sensation Fiction
This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.
Creating Memory
This book considers the English Civil Wars and the civil wars in Scotland and Ireland through the lens of historical fiction—primarily fiction for the young. The text argues that the English Civil War lies at the heart of English and Irish political identities and considers how these identities have been shaped over the past three centuries in part by the children’s literature that has influenced the popular memory of the English Civil War. Examining nearly two hundred works of historical fiction, Farah Mendlesohn reveals the delicate interplay between fiction and history.
The Cambridge Companion to Fantasy Literature
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
Children's Fantasy Literature
A comprehensive study of children's fantasy literature across the English-speaking world, from the sixteenth century to the present.
The Book of Betrayal
Helena Davies knows all about keeping secrets. Now her secrets will come to light. Helena’s encounter with a terrible creature whose kind are bent on destroying the world revealed a terrible truth: a cabal of rogue humans works with those monsters, intent on gaining power. Charged to remain silent while her superiors prepare to attack the traitors, Helena fears trusting her friends, her colleagues, even her secret lover Malcolm Campbell. Any of them might betray her. When an unexpected attack by the hidden enemy devastates magi around the world, it draws Helena deeper into the web of conspiracy. With Malcolm suffering his own loss, and friends betraying friends, Helena confronts the reality that no secret can last forever.
The Reception of Ancient Greece and Rome in Children’s Literature
Greece and Rome have long featured in books for children and teens, whether through the genres of historical fiction, fantasy, mystery stories or mythological compendiums. These depictions and adaptations of the Ancient World have varied at different times, however, in accordance with changes in societies and cultures. This book investigates the varying receptions and ideological manipulations of the classical world in children’s literature. Its subtitle, Heroes and Eagles, reflects the two most common ways in which this reception appears, namely in the forms of the portrayal of the Greek heroic world of classical mythology on the one hand, and of the Roman imperial presence on the other. Both of these are ideologically loaded approaches intended to educate the young reader.
To Heaven's Rim
From its very first days, the church has been lifting up its songs and poems from the earth to the heavens, whether in praise, thanksgiving, or lament. Join poets from across Syria, Europe, Armenia, Ethiopia, China, and the Philippines in raising their voices. Learn about these great Christian singers from around the world, many of whom are hardly known at all among English readers, yet who are often considered the greatest poets in their own languages. Explore the many styles and genres which Christians have used to express their faith in song, whether hymn, psalm, dream vision, epic, drama, lyric, or didactic poem. Journey through the lives of biblical characters, through abstract theological and philosophical arguments, through moments of intense personal grief and joy, through the lives of saints and terrible sinners, sometimes even through heaven and hell themselves.
