You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Apex Book of World SF, edited by Lavie Tidhar, features award-winning science fiction and fantasy short stories from Asia, Eastern Europe and around the world. The world of speculative fiction is expansive; it covers more than one country, one continent, one culture. Collected here are sixteen stories penned by authors from Thailand, the Philippines, China, Israel, Pakistan, Serbia, Croatia, Malaysia, and other countries across the globe. Each one tells a tale breathtakingly vast and varied, whether caught in the ghosts of the past or entangled in a postmodern age. Among the spirits, technology, and deep recesses of the human mind, stories abound. Kites sail to the stars, technology tran...
The oral factor in Chinese literature, although critically important, has been largely neglected in the scholarship of the last generation. In this study, one of the leading specialists in classical Chinese literature introduces readers to a repertoire of seventy-seven songs and ballads of early imperial China. Each song-text is newly translated and fully annotated and explicated. Anne Birrell deals systematically with problems of the earliest sources, attribution, textual variants, meter, and structure. Her introductory essay provides a valuable sociohistorical context for this material. First published in 1988, this important study of the folk song has become standard reading for students of oral literature and Chinese folklore and popular culture.
Courtesans, desire & the denizens of the Shanghai underworld are just some of the elements in Han Bangqing's novel of late imperial China, published in 1892 & now available in English for the first time.
In Father of Chinese History, Esther Klein explores the life and work of the great Han dynasty historian Sima Qian as seen by readers from the Han to the Song dynasties. Today Sima Qian is viewed as both a tragic hero and a literary genius. Premodern responses to him were more equivocal: the complex personal emotions he expressed prompted readers to worry about whether his work as a historian was morally or politically acceptable. Klein demonstrates how controversies over the value and meaning of Sima Qian's work are intimately bound up with larger questions: How should history be written? What role does individual experience and self-expression play within that process? By what standards can the historian's choices be judged?
This book advances the study of Chinese folk songs through theoretical innovation in literature-based folk songs and methodological innovation in multidisciplinary cross-interaction. It describes the historical development of folk songs, makes an in-depth study of the intersection and integration of folk songs with other literature and art, as well as the relationship with merchants, folk customs and regional culture, and analyses the literature of folk songs in previous dynasties. It is not only significant for the preservation of cultural heritage, but also to the promotion of folk song research and related fields. This book is applicable to scholars and researchers who have in-depth research on Chinese folk songs.
The first book in English to study this period of Chinese history, this comprehensive survey sets out the major military events in chapters and argues that war was the most important tool used by the Chinese in building and maintaining their empire.
This volume asks what Koreans consider makes music Korean, and how meaning is ascribed to musical creation. Keith Howard explores specific aspects of creativity that are designed to appeal to a new audience that is increasingly westernized yet proud of its indigenous heritage--updates of tradition, compositions, and collaborative fusions. He charts the development of the Korean music scene over the last 25 years and interprets the debates, claims and statistics by incorporating the voices of musicians, composers, scholars and critics.
This book studies the formation of the male-constructed conventional voice of women in Chinese literature from the 3rd to 6th century. It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history. This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Two contains S to Xi.