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Bauhaus, 1919-1933
Seventy years after its foundation in Weimar, the Bauhaus has become a concept, indeed a catchprase all over the world. The respect which it commands is associated above all with the design it pioneered, one which we know describe as 'Bauhaus style'. This volume traces the history of Bauhaus.
Music after Hitler, 1945-1955
The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. However, music in Germany after 1945 has not received anything like the same treatment. Rather, there is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states with differing economic and political systems. There is a widely accepted view of music in West Germany as 'free', and in the East subject to party control. Toby Thacker challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty'...
Rubble Music
As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveal...
New Media, Old Media
In this history of new media technologies, leading media and cultural theorists examine new media against the background of traditional media such as film, photography, and print in order to evaluate the multiple claims made about the benefits and freedom of digital media.
Seóirse Bodley
Gareth Cox provides a compelling overview of the career and creative achievement of one of Ireland s foremost living composers, Seoirse Bodley. He documents the context from which Bodley s work has emerged over the course of the last sixty years, and he discusses its most significant technical features. This first full-length study of Bodley s life and work will appeal to a wide range of readers and musicians, both specialist and amateur, and most importantly, it will encourage more performers to study, play and record Bodley s music."
A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925
A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultu...
Bloch, Schoenberg, and Bernstein
David Schiller's study of three works of Jewish music - Ernest Bloch's 'Sacred Service' (1933), Arnold Schoenberg's 'A Survivor from Warsaw' (1947), and Leonard Bernstein's 'Kaddish' (1963) - reveals how, in the mid-twentieth century, the problem of assimilation was acutely felt as the unfinished business of European Jewry, at a time when American Jewry was creating its own distinctive culture (albeit with European roots). He shows how the business of 'assimilating Jewish music' is as much a process audiences themselves engage in when they listen to Jewish music as it is something critics and musicologists do when they write about it. He further asserts that this process of assimilation is performed by the music itself - that Jewish music assimilates into the Western tradition of art music when it appears in the form of concert genres like the oratorio, cantata, and symphony. In rethinking the Jewish works of Bloch, Schoenberg, and Bernstein as part of the legacy of assimilation, David Schiller sheds new light on an important aspect of their cultural and aesthetic achievements.
New Music at Darmstadt
The first full-length English-language discussion of the Darmstadt New Music Courses, showing the rise and fall of the 'Darmstadt School'.
Gustav Mahler
Translation of: Gustav Mahler: Der fremde Vertraute.
Marc Blitzstein
A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces. A prominent leftist and social maverick, Blitzstein constantly pushed the boundaries of convention in mid-century America in both his work and his life. Award-winning music historian Howard Pollack's new biography covers Blitzstein's life in full, from his childhood in Philadelphia to his violent death in Martinique at age 58. The author describes how this student of contemporary luminaries Nadia Boulanger and Arnold ...
