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Schott
Der Roman handelt von dem Versuch des Erfinders, Flaneurs, Autofahrers, Rauchers und Hundehassers Schott, die Pilotin Liu zu finden. Sie fliegt Passagier- und Kampfflugzeuge. Sie fürchtet das Feuer. Sie wehrt Schotts Liebe ab. Aber mit wem spricht Schott, wenn er mit Liu spricht? Sie leben nicht in der gleichen Zeit. «Hans Joachim Schädlich ist der große Lakoniker unter den deutschen Autoren. Seine Sprache ist einfach, aber scharf und sezierend, das Ungeheure geschieht wie nebenbei.» (DIE ZEIT)
Eastwestberlin
Written by one of the great contemporary German story tellers, this book explores all the subtle anxieties of souls stripped of easy access to hope.
Jewish Primitivism
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L...
andererseits - Yearbook of Transatlantic German Studies
andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book »Modernism and Mimesis« and the poetics of ambiguous memory.
Ulrike Draesner
Ulrike Draesner is a prize-winning writer of novels, short stories, critical essays and poetry, and one of the foremost authors in Germany today. While a number of volumes have been published in German on her work, the current Companion offers the first volume on Draesner in English, capitalising on the interest in her work in Germany and further afield. Introducing Draesner’s major novels and short stories, poetry collections and essays, as well as giving an overview of existing research focusing on migration, memory, science, gender and bodily experience, chapters by international scholars in this volume also break new ground by focussing on visual culture, poetology, nature, the posthuman and Draesner’s reception of English literature and medieval culture. A comprehensive bibliography, commissioned interview and original writing by Draesner make the volume a valuable research tool for scholars and students. This will become essential reading for all those interested in Draesner, women’s writing, literature and history, and contemporary German prose and poetry.
The Case of Christian Kracht
The bestselling, contemporary Swiss author Christian Kracht is as widely celebrated as he is a source of controversy. This introduction to his work suggests locating his writings in discourses that range beyond the labels that have been traditionally assigned to them, namely “postmodernism,” camp,” and “Popliteratur.” Instead, this volume considers Kracht’s work through the lenses of “authorship,” “irony,” and “globalism.” This volume argues that there is no fixed or uniform author represented in Kracht’s corpus, explores the ironic strategies involved in Kracht’s various authorial representations, and engages the cultural exchange inherent in Kracht’s work.
Contemporary German Writers, Their Aesthetics and Their Language
The aesthetic and linguistic concerns of German-language writers are explored against the backdrop of a readership in transition. Two essays examine intertextuality as a concept and as a phenomenon in the work of Christa Wolf, before the first main set (aesthetics) addresses narrative techniques (Jurek Becker, Wolfgang Hilbig, Hans Joachim Schädlich), formal experimentation (Ror Wolf, Helmut Heißenbüttel, Hanns-Josef Ortheil), allegory (Christoph Ransmayr), metaphor (Eveline Hasler), feminine aesthetics (Brigitte Kronauer, Anne Duden), and links between literature and photography (Rolf Dieter Brinkmann). The second main group presents a series of analyses of language as problem and practice: Sprachlosigkeit (Ilse Aichinger, Robert Schneider), logocentricity and etymology (Heinrich Böll, Elisabeth Reichart), and authenticity and cliché (Werner Schwab, Rainald Goetz), Ralf Schnell's concluding essay is an assessment of a situation which allows writers more freedom as the shackles of the past are cast off.
