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Money and Culture
Essays which stem from a conference organised by the editors in 2005.
W.G. Sebald and the Writing of History
Summary: "W.G. Sebald, frequently mentioned in the same breath as Franz Kafka and Vladimir Nabokov, is one of the most important European writers of recent decades. He has been lauded by such major cultural commentators as Susan Sontag and Paul Auster, and he has combined wide public appeal with universal critical acclaim. His work is concerned with questions of memory, exile, representation, and, above all else, history. But his approach to history is strikingly different from conventional historiographical writing on the one hand, and from the historical novel on the other. His texts are hybrid in nature, mixing fiction, biography, historiography, travel-writing and memoir, and incorporating numerous photographic images. This volume seeks to respond to the complexities of Sebaldʼs image of history by presenting essays by a team of international scholars, all of whom are acknowledged Sebald experts. It offers a unique and exciting perspective on the dazzling work of one of the major literary figures of our times."--Publisher description.
The Man Who Crucified Himself
The Man Who Crucified Himself is the history of a sensational nineteenth-century medical case. In 1805 a shoemaker called Mattio Lovat attempted to crucify himself in Venice. His act raised a furore, and the story spread across Europe. For the rest of the century Lovat’s case fuelled scientific and popular debates on medicine, madness, suicide and religion. Drawing on Italian, German, English and French sources, Maria Böhmer traces the multiple readings of the case and identifies various 'interpretive communities'. Her meticulously researched study sheds new light on Lovat’s case and offers fresh insights on the case narrative as a genre - both epistemic and literary.
Thieves in Court
An exploration of how petty theft in the nineteenth-century German countryside contributed to the modern-day legal system and property laws.
German and European Poetics After the Holocaust
New essays on poetical and theoretical responses to the Holocaust's rupture of German and European civilization. Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, C...
Possessed
Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries. Tracing this preoccupation through the period’s films—as well as its legal, medical, and literary texts—Andriopoulos pays particular attention to the terrifying notion of murder committed against one’s will. He returns us ...
Europa! Europa?
Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
Conceptions of Dreaming from Homer to 1800
Conceptions of Dreaming from Homer to 1800 traces the history of ideas about dreaming during the period when the admonitory dream was the main focus of learned interest—from the Homeric epics through the Renaissance—and the period when it began to become a secondary focus—the eighteenth century. The book also considers the two most important dream theorists at the turn of the twentieth century, Sigmund Freud and Sante de Sanctis. While Freud is concerned with questions of what a dream means and how to interpret it, de Sanctis offers a synthesis of nineteenth-century research into what a dream is and represents the Enlightenment transition from particular facts to general laws.
Androids in the Enlightenment
In this volume, Adelheid Voskuhl investigates two automata - both depicting piano-playing women. These automata not oly play music, but also move their heads, eyes, and torsos to mimic a sentimental body technique of the 18th century: musicians were expected to generate sentiments in themselves while playing, then communicate them to the audience through bodily motions.
Pastoral Palimpsests
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