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Understanding Material Text Cultures
The present volume comprises 6 highly original studies on material text cultures in different nontypographic societies stretching from the 3rd millennium cuneiform textual record of Ancient Mesopotamia to 20th century Qur'anic boards of northern and central African provenience. It provides a multidisciplinary approach to material text cultures complementary to the interdisciplinary, strongly theory-grounded research scheme of the CRC 933. Six research fellowships were awarded to outstanding young researchers for innovative, high-risk research proposals pertinent to the CRC 933's overall research scheme. Their studies contained in this volume add multidisciplinary dimension to material text culture research, satisfy the curiosity as to the applicability of the theoretical premises and methodology developed and tested by the CRC 933 to research on inscribed artefacts carried out on an international level and in different research environments and contribute to anchoring material text culture research as proposed by the CRC 933 within the tradition and broader context of other research strategies devoted to the material dimension of writing, such as the filologia materiale.
The Performative Structure
In The Performative Structure: Ritualizing the Pyramid of Pepy I, Nils Billing investigates the ancient Egyptian pyramid complex as a performative structure, ritualized through the operative faculty inherent in monumental architecture, text, and image. The main body of research is given over to an analysis of the Pyramid Texts found in the pyramid of king Pepy I of the Sixth Dynasty (ca 2300 BCE). It is demonstrated that the texts were distributed on distinct space-bound thematic and ritual levels in order to perpetuate a cultic activity from which the lord of the tomb could be transformed by moving through the different chambers and corridors towards the exit. Just as the decoration program of the mortuary temple once delineated the ritual and ideological structure of the royal mortuary cult, the corpus of texts distributed in the pyramid provided a monumentalized performative structure that effectuated the perennial rebirth for its owner.
Peace in Ancient Egypt
One of the world's oldest treaties provides the backdrop for a new analysis of the Egyptian concept of hetep ("peace"). To understand the full range of meaning of hetep, Peace in Ancient Egypt explores battles against Egypt's enemies, royal offerings to deities, and rituals of communing with the dead. Vanessa Davies argues that hetep is the result of action that is just, true, and in accord with right order (maat). Central to the concept of hetep are the issues of rhetoric and community. Beyond detailing the ancient Egyptian concept of hetep, it is hoped that this book will provide a useful framework that can be considered in relation to concepts of peace in other cultures. Read a recent blog post about the book here.
The Organization of the Pyramid Texts (2 vol. set)
The ancient Egyptian Pyramid Texts form the oldest body of religious texts in the world. This book weds traditional philology to linguistic anthropology to associate them with two spheres of ritual action, mortuary cult and personal preparation for the afterlife.
Ancient Egyptian Prisoner Statues
During the Old Kingdom, the ancient Egyptians constructed elaborately decorated mortuary monuments for their pharaohs. By the late Old Kingdom (ca. 2435-2153 BCE), these pyramid complexes began to contain a new and unique type of statue, the so-called prisoner statues. Despite being known to Egyptologists for decades, these statues of kneeling, bound foreign captives have been only partially documented, and questions surrounding their use, treatment, and exact meaning have remained unanswered. Ancient Egyptian Prisoner Statues-the first comprehensive analysis of the prisoner statues-addresses this gap, demonstrating that the Egyptians conceived of and used the prisoner statues differently over time as a response to contemporary social, cultural, and historical changes. In the process, the author contributes new data and interpretations on topics as diverse as the purpose and function of the pyramid complex, the ways in which the Egyptians understood and depicted ethnicity, and the agency of artists in ancient Egypt. Ultimately, this volume provides a fuller understanding of not only the prisoner statues but also the Egyptian late Old Kingdom as a whole.
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