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An apparently nomadic diaspora nation of Indian provenance, the Gypsies are present with notable frequency in Germanic literatures from Wolzogen and Brentano to Stifter, Keller, Storm, Raabe, Jensen, Saar and Thomas Mann. Against the background of the still officially unacknowledged Romany Holocaust, Saul analyses in a series of close interpretations the stations of the literary construction of the Gypsy prior to the human disaster. The book's synthesis of scholarship in cultural, social and institutional history, the history of ideas and literary history will appeal to the scholarly community across traditional disciplinary boundaries, and will also serve as a valuable introduction for students from diverse fields.
This is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, affects and (self-)knowledge on and off the screen. Building on Eve K. Sedgwick's queer-feminist concept of queer performativity, the ...
This volume of conference papers highlights the connections between developments in technology and scientific thought since the 16th century on the one hand, and the ways in which the creative imagination of literary writers has responded to those developments on the other.
Owen Barfield (1898-1997), philosopher, historian, and literary theoretician, is well known for his friendship with C. S. Lewis. What is virtually unknown is that he was also admired and promoted by T.S. Eliot, who in the 1920s became his publisher at Faber and Faber. There can scarcely be two writers at greater variance than Lewis and Eliot; that Barfield was admired by both showed that he was an independent thinker, far more subtle and complex than has so far been recognized.Diener's book about Barfield's early work is the first systematic study to trace the roots and the development of his thought. It places Barfield in the tradition of British and European cultural and social critics, including Coleridge, Arnold, Nietzsche, and Rudolf Steiner. In the light of this tradition, Barfield's work emerges as a unique and constructive contribution to twentieth-century thought.
In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not a...
New essays by leading scholars giving a new picture of the variety of German expressionist cinema.
A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers.
Matt Erlin considers books and the culture around books during this period, focusing specifically on Germany where literature, and the fine arts in general, were the subject of soul-searching debates over the legitimacy of luxury.
Offering a sweeping transatlantic perspective, this book explains the current obsession with automobiles by delving deep into the motives of early car users. It provides a synthesis of our knowledge about the emergence and persistence of the car, using a broad range of material including novels, poems, films, and songs ...
A comprehensive account of the popular German film industry of the 1960s, its main protagonists, and its production strategies. The book challenges traditional assumptions about this mode of film-making.