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Florence Mills
This biography reveals the lost history of the life of the 1920s Black female international superstar. Mills was lionized by the crowned heads in Europe and opened doors for generations of Black female stars from Lena Horne to Diana Ross. Although her career and shows changed the nature of Black entertainment, and thereby the wider American popular culture, she was largely forgotten in later years. Anyone who wants to understand the history of Black entertainment from Bert Williams to Michael Jackson and, by implication, the history of American popular culture, needs to understand the ways in which Florence Mills changed the rules forever.
Crying the News
Crying the News: A History of America's Newsboys is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chroniclingtheir exploits in every region of the country, as well as on the railroads that linked them.
Neither Black Nor White Yet Both
Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in "Neither Black nor White yet Both," a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." From the origins of the term "race" to the cultural sources of the "Tragic Mulatto," and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. Copyright © Libri GmbH. All rights reserved.
American Fiction, 1901-1925
A 1997 bibliography of American fiction from 1901-1925.
Heartman Negro Collection
"Purchased from Mr. Charles Heartman, a book dealer, this collection consists of books, pamphlets, periodicals, maps, broadsides, documents, almanacs, lithographs, oil paintings, musical scores, clippings, cartoons, and various curios dating from 1600 to 1955. Devoted not only to the Negro in the United States, but contains information dealing with the background and development of Negro people in every section of the globe where they have lived in concentrated numbers."--Page [1.] of v.5, no. 12.
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The New Negro
When African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Loui...
