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Ghostly Ruins
  • Language: en
  • Pages: 238

Ghostly Ruins

"With Ghostly Ruins, author Harry Skrdla guides your tour of thirty abandoned locations from around the country - homes and hotels, power plants and prisons, whole neighborhoods and even entire towns. These are the happy memories of your grandparents' and great-grandparents' childhoods, such as the United Artists movie palace in Detroit, the rollercoasters at Chippewa Lake Park in Medina, Ohio, and the Palace of Fine Arts from the Chicago World's Fair." "And then there are the structures that were massive and forbidding even at their peaks, before falling to disrepair: the Bethlehem Steel Mill and Eastern State Penitentiary in Pennsylvania and Bannerman's Castle, a munitions depot stranded o...

Roseville
  • Language: en
  • Pages: 128

Roseville

Contrary to popular notion (and the city's street and welcome signs, which feature an iconic rose bloom), Roseville is not named after the flower but after Denison Rose, a hero of the War of 1812. His son William Rose was named the first postmaster in 1836. Roseville incorporated as a village in 1926 and as a city in 1958. Known as a "bedroom community" because of its location halfway between Detroit and Mount Clemens, the city reached its maximum population in 1970. Today, Roseville is experiencing a major commercial boom that includes a renovation of Macomb Mall, one of the first malls in the country.

Michigan's Drive-In Theaters
  • Language: en
  • Pages: 128

Michigan's Drive-In Theaters

Few American phenomena are more evocative of time, place, and culture than the drive-in theater. From its origins in the Great Depression, through its peak in the 1950s and 1960s and ultimately its slow demise in the 1980s, the drive-in holds a unique place in the country's collective past. Michigan's drive-ins were a reflection of this time and place, ranging from tiny rural 200-car "ozoners" to sprawling 2,500-car behemoths that were masterpieces of showmanship, boasting not only movies and food, but playgrounds, pony rides, merry-go-rounds, and even roving window washers.

Picher, Oklahoma
  • Language: en
  • Pages: 225

Picher, Oklahoma

On May 10, 2008, a tornado struck the northeastern Oklahoma town of Picher, destroying more than one hundred homes and killing six people. It was the final blow to a onetime boomtown already staggering under the weight of its history. The lead and zinc mining that had given birth to the town had also proven its undoing, earning Picher in 2006 the distinction of being the nation’s most toxic Superfund site. Recounting the town’s dissolution and documenting its remaining traces, Picher, Oklahoma tells the story of an unfolding ghost town. With shades of Picher’s past lives lingering at every intersection, memories of its proud history and sad decline inhere in the relics, artifacts, pers...

Obsolescence
  • Language: en
  • Pages: 203

Obsolescence

Things fall apart. But in his innovative, wide-ranging, and well-illustrated book, Daniel Abramson investigates the American definition of what falling apart entails. We build new buildings partly in response to demand, but even more because we believe that existing buildings are slowly becoming obsolete and need to be replaced. Abramson shows that our idea of obsolescence is a product of our tax code, which was shaped by lobbying from building interests who benefit from the idea that buildings depreciate and need to be replaced. The belief in depreciation is not held worldwide which helps explain why preservation movements struggle more in America than elsewhere. Abramson s tour of our idea of obsolescence culminates in an assessment of recent tropes of sustainability, which struggle to cultivate the idea that the greenest building is the one that already exists."

Merchant Vessels of the United States
  • Language: en
  • Pages: 2684

Merchant Vessels of the United States

  • Type: Book
  • -
  • Published: 1989
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  • Publisher: Unknown

None

Encyclopedia of the American Theatre Organ
  • Language: en
  • Pages: 456

Encyclopedia of the American Theatre Organ

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

None

Theatre Organ
  • Language: en
  • Pages: 406

Theatre Organ

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

None

An archaeology of lunacy
  • Language: en
  • Pages: 264

An archaeology of lunacy

An archaeology of lunacy is a materially focused exploration of the first wave of public asylum building in Britain and Ireland, which took place during the late-Georgian and early Victorian period. Examining architecture and material culture, the book proposes that the familiar asylum archetype, usually attributed to the Victorians, was in fact developed much earlier. It looks at the planning and construction of the first public asylums and assesses the extent to which popular ideas about reformed management practices for the insane were applied at ground level. Crucially, it moves beyond doctors and reformers, repopulating the asylum with the myriad characters that made up its everyday existence: keepers, clerks and patients. Contributing to archaeological scholarship on institutions of confinement, the book is aimed at academics, students and general readers interested in the material environment of the historic lunatic asylum.

A Best of Fence: Poetry & nonfiction
  • Language: en
  • Pages: 548

A Best of Fence: Poetry & nonfiction

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

Ever idiosyncratic, Fence evades the tedium of the decade with this anthology, co-edited by eleven of Fence's editors past and present, including founding editor Rebecca Wolff ; fiction editors Jonathan Lethem, Ben Marcus, and Lynne Tillman; poetry editors Caroline Crumpacker, Katy Lederer, Matt hew Rohrer, Christopher Stackhouse, and Max Winter; and nonfiction editors Frances Richard and Jason Zuzga. In addition to presenting a stunningly eclectic compendium of poetry, short fiction, criticism, and creative nonfiction, much of it by younger writers who appeared in Fence at the beginning of careers that went on to be dazzling, this volume includes refl ective essays by editors on their experiences with selected texts, with authors, with the magazine as a collective, and with their own editorial identities, and serves as an indispensable record of the inception and continuation of one of the most infl uential literary journals of its time.