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An authoritative and comprehensive history of post-revolutionary Mexico by two of the country’s leading intellectuals. Héctor Aguilar Camín and Lorenzo Meyer set out to fill a void in the literature on Mexican history: the lack of a single text to cover the history of Mexico during the twentieth century. In the Shadow of the Mexican Revolution, covers the Mexican Revolution itself, the gradual consolidation of institutions, the Cárdenas regime, the “Mexican economic miracle” and its subsequent collapse, and the recent transition toward a new historical period. The authors explore Mexico’s turbulent recent history as it becomes increasingly intertwined with that of the United States. First published in Spanish as A la sombra de la Revolución Mexicana, this English-language edition offers US readers an intelligent and accessible study of their neighbor to the south.
A drunken confession. Years dissolve in a blur of sex, drugs, and violence. With echoes of Raymond Chandler's The Big Sleep, Héctor Aguilar Camín's Day In, Day Out explores the lives of two darkly alluring sisters and the men pulled into their orbit. while attending the funeral of an old acquaintance, dissolute writer Serrano runs into a former rival, a doctor of criminology known simply as el Pato. The encounter throws Serrano back to the erotically charged bohemian nightlife of 1970's Mexico City, when both men vied for the attention of Liliana Montoya, an enigmatic nightclub singer who may have ordered a murder to defend her sister's honor. As Serrano digs into the past filled with excess and deceit, he finds himself questioning Liliana's sanity - and his own. Day In, Day Out is a vivid chronicle of lust, obsession and madness that will appeal to fans of literary crime novels and Latin American fiction.
Bestselling authors bring together a thought-provoking collection of short stories, each inspired by one of thirty human rights adopted by the United Nations and promoted by Amnesty International. Freedom is a mix of thoughtful, serious, funny, and thrilling stories that harness the power of literature to celebrate—and affirm—our shared humanity. Published in association with Amnesty International, an array of internationally acclaimed & award-winning writers remind us these fundamental freedoms – ratified in 1948 – are just as crucial to protect and uphold today as ever. The United Nations took a moral stand against human rights crimes and adopted the Universal Declaration of Human ...
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masc...
Inspired by the Universal Declaration of Human Rights (UDHR), which starts memorably with Article 1: we are all born free and equal, Freedom is an enthralling anthology of short stories by some of the world's top writers. Most of the stories have been written especially for this anthology by a renowned array of internationally acclaimed writers, including Paulo Coelho, Yann Martel, AL Kennedy, Ali Smith, Amit Chaudhuri, Ariel Dorfman, Helen Dunmore, Marina Lewycka, Walter Mosley, Chimamanda Ngozi Adichie, James Meek, Kate Atkinson, David Mitchell, Hector Aguilar Camin, Ishmael Beah, Boris Akunin, Alice Pung and Banana Yoshimoto. Each acclaimed contributor has chosen one of the thirty UDHR rights as the basic inspiration for his or her story, and the result is an anthology that contains a complete mix of thoughtful, serious, funny and thrilling stories that provide some completely unexpected takes on the issue of human rights. Published in association with Amnesty International, Freedom is an eclectic collection that will prompt readers to engage imaginatively with what human rights mean for all of us.
The Mexican government's brutal repression of the Student Movement of 1968 in the infamous Massacre of Tlatelolco exposed and exacerbated a serious crisis of political legitimacy. This study examines the cultural impact of this watershed event through historically contextualized readings of five paradigmatic novels: Carlos Fuentes's La region mas transparente (1958), Fernando del Paso's Jose Trigo (1966), Maria Luisa Mendoza's Con el, conmigo, con nosotros tres (1971), Jorge Aguilar Mora's Si muero lejos de ti (1979), and Hector Aguilar Camin's Morir en el golfo (1986).
Compares a range of Mexican food policy reforms, focusing on the SAM (Mexican Food System), a program in place from 1980-82, designed to shift subsidies and privileged access from large private farmers and ranchers to peasants and small producers. In this context, Fox (political science, MIT) examines the limits and possibilities of political reform, and its history and future in the Mexican state. Annotation copyright by Book News, Inc., Portland, OR
This volume presents original writings and interviews with prominent thinkers on the front lines of an international intellectual effort to reconsider the fundamental terms of modernity and promote a philosophical design that reconsiders the significance of modernity itself.
Until quite recently, the Mexican Revolution was usually defined as an agrarian movement, as a peasant war, with Emiliano Zapata, leader of the villagers of Morelos, taken as its most typical figure. Yet this interpretation leaves many questions unanswered. It ignores the sheer diversity in both regional background and social goals of the revolutionary forces. It does not explain why the partition of the great estates and effective land distribution was delayed until the 1930s, almost two decades after the cessation of hostilities. More important, it fails to account for the emergence of a one party political system, in which the resources of the state are concentrated on industrialization and economic growth. This book consists of case-studies and general perspectives, all based on research, which follow the careers of several caudillos, some conservative, some progressive, with the aim of analysing the means by which these revolutionary chieftains first obtained power and then promoted or opposed the authority of the national state.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.