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The Blessing Next to the Wound
The story of a torture survivor from Colombia who has dedicated his life to healing the pains of others. Shockingly honest, heartbreaking, and vibrantly told, The Blessing Next to the Wound is a passionate and evocative memoir that, amid enormous suffering and loss, is a full-throated affirmation of life.
Theatre of Witness
Theatre of Witness is a model of performance that gives voice to those who have been marginalized, forgotten or unheard in society, creating a safe forum for audiences to bear witness to real-life accounts of suffering and transformation. This book chronicles the author's 26 years of creating and producing theatre with people whose stories have previously gone untold, including prisoners and their families, refugees, survivors and former perpetrators of domestic abuse, ex-combatants and those who have lived through war. With an engaging and heartfelt narrative, it beautifully conveys the key principles of Theatre of Witness and explores the author's own journey that lead to the conception and growth of this unique model of performance. Exploring diverse human experiences in the United States, Poland and Northern Ireland, this book will be of interest to practitioners and students of applied theatre, peace and conflict studies, professionals working in conflict resolution, counselors, psychotherapists, professionals in the field of criminal and restorative justice, dramatherapists, psychodramatists and spiritual seekers.
How to use Forum Theatre for Community Dialogue - A Facilitator's Handbook
A practical handbook for the beginner facilitator in applying Forum Theatre to community dialogue and conflict transformation. A facilitation manual to empower individuals and communities in responding to social issues using a non-judgemental and interactive approach.
Confronting Evils
In this contribution to philosophical ethics, Claudia Card revisits the theory of evil developed in her earlier book The Atrocity Paradigm (2002), and expands it to consider collectively perpetrated and collectively suffered atrocities. Redefining evil as a secular concept and focusing on the inexcusability - rather than the culpability - of atrocities, Card examines the tension between responding to evils and preserving humanitarian values. This stimulating and often provocative book contends that understanding the evils in terrorism, torture and genocide enables us to recognise similar evils in everyday life: daily life under oppressive regimes and in racist environments; violence against women, including in the home; violence and executions in prisons; hate crimes; and violence against animals. Card analyses torture, terrorism and genocide in the light of recent atrocities, considering whether there can be moral justifications for terrorism and torture, and providing conceptual tools to distinguish genocide from non-genocidal mass slaughter.
Culturally Relevant Arts Education for Social Justice
A groundswell of interest has led to significant advances in understanding and using Culturally Responsive Arts Education to promote social justice and education. This landmark volume provides a theoretical orientation to these endeavors. Examining a range of efforts across different forms of art, various educational settings, and diverse contexts, it foregrounds the assets of imagination, creativity, resilience, critique and cultural knowledge, working against prevailing understandings of marginalized groups as having deficits of knowledge, skills, or culture. Emphasizing the arts as a way to make something possible, it explores and illustrates the elements of social justice arts education as "a way out of no way" imposed by dominance and ideology. A set of powerful demonstrations shows how this work looks in action. Introductions to the book as a whole and to each section focus on how to use the chapters pedagogically. The conclusion pulls back the chapters into theoretical and pedagogical context and suggests what needs done to be done practically, empirically, and theoretically, for the field to continue to develop.
Uncovering Alias
Annotation Double agents, international terrorist rings, family relationships, and forbidden love are among the themes discussed in this companion guide to Alias , ABC's fast-paced drama series about the life of CIA operative Sydney Bristow. An extensive episode guide and explanation of the complex storylines offers a comprehensive perspective on the series' first three seasons. A map of Rambaldi artifacts uncovered, locations that Sydney visited, profiles of the James Bondlike gadgets used, and a discussion of continuity errors make this roll call of favorite and unknown facts about Alias essential for devotees and new fans of the drama.
Atlanta
Atlanta magazine’s editorial mission is to engage our community through provocative writing, authoritative reporting, and superlative design that illuminate the people, the issues, the trends, and the events that define our city. The magazine informs, challenges, and entertains our readers each month while helping them make intelligent choices, not only about what they do and where they go, but what they think about matters of importance to the community and the region. Atlanta magazine’s editorial mission is to engage our community through provocative writing, authoritative reporting, and superlative design that illuminate the people, the issues, the trends, and the events that define our city. The magazine informs, challenges, and entertains our readers each month while helping them make intelligent choices, not only about what they do and where they go, but what they think about matters of importance to the community and the region.
We Shall Bear Witness
An international array of human rights advocates, scholars, and survivor-writers examine the profound and complex impact of personal testimony about human rights abuses as expressed through autobiography, documentary film, report, oral history, blog, and verbatim theater.
InExActArt - The Autopoietic Theatre of Augusto Boal
This handbook not only provides a very wide-ranging introduction and orientation to the world of the Theatre of the Oppressed, but Birgit Fritz also presents concrete and practical assistance for structuring basic workshops in process-oriented theatre work and in developing Forum Theatre plays. Birgit Fritz explores the working principles of emancipatory theatre work and somatic learning in depth. She gives numerous examples of the work and life of theatre groups and reveals fascinating possibilities of how theatre for social change can be successfully linked with social and political commitment, so that artistic process can bring about cross-generational collaboration, develop social democracy, and operate as an active force for peace.
Nordic Work with Traumatised Refugees
The Nordic welfare societies have been described as ‘beacons of light’ in work with refugees, with their emphasis on egalitarian and extensive benefit levels, wealth redistribution, promotion of gender equality and maximisation of labour force participation. Members of the population benefit from free education, universal healthcare and public services that provide an elaborate social safety net. The conditions seem favourable for refugees exposed to severely traumatic events in countries of origin and in flight who have come to rest in the safe havens of the Nordic countries. But has society really done what it could and should in the field of refugee mental health? Does it really care?...
