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Using numerous illustrations and case studies, the author maps out the creative process involved in producing interactive media, such as CD-ROM productions and network applications. Looking at concrete outstanding examples, various contributions by international multimedia authors, designers, and artists shed light on the role and function of interactive media in the context of exhibitions, museums, cultural learning, entertainment, film, and television. The publication explores methods and strategies of interactive dramaturgy that go beyond interactive storytelling. The emphasis is on new modes of dramaturgy, where the user is actively involved, cooperation among users is supported, and repeated visits are motivated.
Catalogue of the Eternal Gandhi Multimedia Exhibition, held at Mumbai during 12th February to 12th March 2006.
This book constitutes the refereed proceedings of the First International Conference on E-learning and Games, Edutainment 2006, held in Hangzhou, China in April 2006. The 121 revised full papers and 52 short papers presented together with the abstracts of 3 invited papers and those of the keynote speeches cover a wide range of topics, including e-learning platforms and tools, learning resource management, practice and experience sharing, e-learning standards, and more.
A key collection of essays that looks at the specific issues related to the documentary form. Questions addressed include `What is documentary?' and `How fictional is nonfiction?'
Between March and October of 1968 Picasso produced 347 etchings in varying sizes and techniques. Uncharacteristically, he did very little drawing and almost no painting during that year. He abandoned sculpture altogether. Instead he turened his gaze almost entirely in the direction of the etchings. His concentration on them to the exclusion of other media marks Suite 347 as a particularly condensed site for the construction of meaning. One of the aims of this book is to establish how and under what conditions he contructed that meaning.
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.
This book presents the work of 10 young artists who just received their MFAs in Painting, Interactive Media and Environments and Scenography from the esteemed Frank Mohr Institute in Holland. Filled with texts and images, it delivers the state of the arts in Groningen.
Kreativen Professionals (u.a. Künstlern, Wissenschaftlern) eröffnen DVD, Blu-ray Disc und HD DVD neue Möglichkeiten. Wie können im Rahmen einer DVD-Produktion (Non)linearität und Interaktion genutzt werden? Welche Rolle spielen Künstler und Designer, an welchen Sichtweisen und Produktionen können sie sich orientieren und welche Spezifikationen sind zu berücksichtigen? Der Autor beschreibt nicht nur allgemeine Nutzungsmöglichkeiten einer DVD-Publikation, sondern stellt sie als eigenständiges Medium und in Kombination mit anderen Medien dar. Plus: zahlreiche Daten, Abbildungen auf beigefügter DVD-ROM/DVD-video bzw. zum Herunterladen im Web.
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