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The collection Censorship and Exile focuses on the interrelations between the experience of exile and mechanisms of censorship. In the phenomenon of censorship the intersections and reciprocal tensions of the cultural and political spheres become drastically apparent. Literature as a form of cultural expression reacts to and criticizes ideological premises of certain political contexts. It thus represents a counter-discourse to processes of canonization that are prescribed and violently put into action by oppressive political regimes. Within the respective political contexts, people who demanded liberties such as freedom of speech or artistic freedom often found themselves forced into exile or internal emigration. The present volume focuses on these continuities and discontinuities, on commonly shared features as well as the heterogeneous manifestations of exile literature(s) in the face of practices of censorship and the repression of free speech and artistic freedom in Germany, the US and beyond. The collection comprises contributions that shed light on the interrelation of censorship and exile from comparative, historical, political, and creative perspectives.
Essays examining aspects of German book history -- in relation to writers, readers, and publishers -- from the 1780s to the 1930s.
Anglo-German Scholarly Networks in the Long Nineteenth Century explores the complex and shifting connections between scientists and scholars in Britain and Germany from the late eighteenth century to the interwar years. Based on the concept of the transnational network in both its informal and institutional dimensions, it deals with the transfer of knowledge and ideas in a variety of fields and disciplines. Furthermore, it examines the role which mutual perceptions and stereotypes played in Anglo-German collaboration. By placing Anglo-German scholarly networks in a wider spatial and temporal context, the volume offers new frames of reference which challenge the long-standing focus on the antagonism and breakdown of relations before and during the First World War. Contributors include Rob Boddice, John Davis, Peter Hoeres, Hilary Howes, Gregor Pelger, Pascal Schillings, Angela Schwarz, Tara Windsor.
The influence of censorship on the intellectual and political life in the Habsburg Monarchy during the period under scrutiny can hardly be overstated. This study examines the institutional foundations, operating principles, and results of the censorial activity through analysis of the prohibition lists and examination of the censors themselves. The effects of censorship on the authors, publishers, and booksellers of the time are illustrated with the help of contemporary documents. Numerous case studies focus on individual works forbidden by the censors: Romanticists like Ludwig Tieck and E. T. A. Hoffmann and even authors of classic German literature like Wieland, Goethe, and Schiller saw their works slashed, as did writers of popular French and English novels and plays. An annex documents the most important regulations along with a selection of censorial reports.
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
While the fate of minorities under Nazism is well known, the earlier expulsions of Germany's unwanted residents are less well understood. Against a backdrop of raging public debate, and numerous claims of a 'state of exception', tens of thousands of vulnerable people living in the German Empire were the victims of mass expulsion orders between 1871 and 1914. Groups as diverse as Socialists, Jesuits, Danes, colonial subjects, French nationalists, Poles, and 'Gypsies' were all removed, under circumstances that varied from police actions undertaken by provincial governors through to laws authorising removals passed by the Reichstag. Purging the Empire examines the competing voices demanding the...
In the decades between the French Revolution and the first stirrings of liberalism in the 1830s, German political culture defined itself apart from that of its neighbors to the west. Focusing on the career of Johann Cotta, the preeminent publisher of his generation, this book offers a lens through which we can more fully view and understand these turbulent years. Cotta is a familiar figure in the history of German letters, but his public life has never been studied comprehensively. He financed and directed the Allgemeine Zeitung of Augsburg, which would become one of the great European newspapers of the nineteenth century. He was the first German to convert money and cultural prestige into p...
A monthly register of the most important works published in North and South America, in India, China, and the British colonies: with occasional notes on German, Dutch, Danish, French, Italian, Spanish, Portuguese, and Russian books.