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Heinrich Woelfflin: Prolegomena to a Psychology of Architecture
An English translation, accompanied by the original German text, of Heinrich Woelfflin's extraordinary doctoral dissertation (1886).
The Global Reception of Heinrich Wölfflin's Principles of Art History
Perspectives on a book that changed ways of thinking and writing about art around the world
Renaissance and Baroque
A study of the evolution of Renaissance style-art into Baroque style-art.
Classic Art
An excellent appraisal of the great Renaissance artists.
Baroque and the Political Language of Formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wölfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.
Principles of Art History
Originally published in Germany during the 1920s, this now-classic study surveys the works of 64 major artists in terms of style, quality, and mode of representation. A brilliant contribution to the methodology or art criticism, it features 120 black-and-white illustrations of works by Botticelli, Durer, Holbein, Rembrandt, Velasquez, Vermeer, and others.
Heinrich Wölfflin
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Can Architectural Art-form be Designed Out of Construction?
The essay argues that the axiomatic definition of the tectonic "Poetics of Construction", as it has been advocated en recent decades, is focusing too one-sidedly on architecture's tangible materiality, and undermines the capability of architecture to contain representational values and to hold civilizing meaning.
