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Death has been a source of grief and uncertainty for humanity throughout history, but it has also been the inspiration for a plethora of fascinating traditions. The covering of mirrors to prevent the departed spirit from seeing itself; the passing bell rung to assist the soul to heaven; the 'sin eater' who sat beside a coffin eating and drinking to 'absorb' the corpse's sins – all of these were common approaches at one time or another. Yet in the modern day, death has become more clinical than spiritual, something kept hidden behind closed doors. This beautifully illustrated history explores English approaches to death and burial from the medieval era to the present day, exploring ancient customs which have long since lapsed, those such as lighting candles that have survived until the present day, and new approaches such as eco-burials, which are changing how we relate to death, dying and the dead.
D is for Death is not just a book: it's a captivating and thought-provoking adventure that challenges perceptions and leaves you with a profound appreciation for the one certainty that binds us all – the journey from A to Z, where death becomes a quirky guide through life's mysteries.
Contemporary audiences are often shocked to learn that in the late 19th and early 20th centuries, medical students around the world posed for photographic portraits with their cadavers; a genre known as dissection photography. Featuring previously unseen images, stories, and anecdotes, this book explores the visual culture of death within the gross anatomy lab through the tradition of dissection photography, examining its historical aspects from both photographic and medical perspectives. The author pays particular attention to the use of dissection photographs as an expression of student identity, and as an evolving transgressive ritual intricately connected to, and eventually superseding, the act of dissection itself.
Edward Frisbye (1620-1690) was born in Virginia, moved to Branford, Connecticut, and married three times (Hannah Rose, Abigail Culpepper, Frances England). Edward was probably the son of English immigrant Richard Frisby (b.1590). Descendants and relatives of Edward lived in New England, New York, Pennsylvania, Ohio, Wisconsin, Minnesota, California and elsewhere.
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This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.
This book features a selection of the most representative papers presented during the international conference Dying and Death in 18th-21st Century Europe (ABDD). It invites you on a fascinating journey across the last three centuries of Europe, with death as your guide. The past and present realities of the complex phenomena of death and dying in Romania, the United Kingdom, Bulgaria, Serbia, the Czech Republic, the Netherlands, and Italy are dealt with, by authors from varying backgrounds: historians, sociologists, priests, humanists, anthropologists, and doctors. This is yet more proof that death as a topic cannot be confined to one science, the deciphering of its meanings and of the shifts it effects requiring a joint, interdisciplinary effort.
Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.
The analysis of societies' transformations and the influence on the modernization of Central and Eastern Europe economies -- between the pre-modern period and the 20th century -- is a useful tool for understanding contemporary trends in the region, particularly since the debates on economic and social reconstruction find their counterpart in modern state construction projects. The history of this region of Europe -- described as a space of ethnic, religious, and cultural diversity -- is illustrated in this book through the dimension of territory, population, and consumption. The book's contributions were presented at an international conference in Alba Iulia, Romania, in April 2013. (Series: Eastern Europe / Osteuropa - Vol. 8)