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Vizuální prameny představují jeden ze základních zdrojů ke studiu historie. Jsou neocenitelným pramenem informací pro dějiny odívání. Tato práce se zabývá zobrazováním oděvu v čínském tradičním malířství a na historických fotografiích. Představuje svitkové obrazy z období dynastie Čching (1644–1911) a fotografie z druhé poloviny 19.století a počátku 20. století z fondu Náprstkova muzea. Analýza těchto vizuálních zdrojů je zaměřena především na rituální posmrtné portréty a malířský žánr „krásných žen“. Historické fotografie zachycují oděv na aranžovaných studiových portrétech. Práce se zabývá otázkou, zda je možné...
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Mapping Meanings, a broad-ranged introduction to China’s intellectual entry into the family of nations, guides the reader into the late Qing encounter with Western, at the same time connecting convincingly to the broader question of the mobility of knowledge.
Lorenzo Andolfatto’s Hundred Days’ Literature explores the literary landscape of late imperial China via the notion of utopia, offering a critical itinerary that moves from Liang Qichao’s fictional experiments to Wu Jianren’s modern retelling of the Story of the Stone.
"The political novel, which enjoyed a steep yet short rise to international renown between the 1830s and the 1910s, is primarily concerned with the nation’s political future. It offers a characterization of the present, a blueprint of the future, and the image of the heroes needed to get there. With the standing it gained during its meteoric rise, the political novel helped elevate the novel altogether to become the leading literary genre of the twentieth century worldwide.Focusing on its adaptation in the Chinese context, Catherine Vance Yeh traces the genre from Disraeli’s England through Europe and the United States to East Asia. Her study goes beyond comparative approaches and nation...
Eros of International Relations: Self-Feminizing and the Claiming of Postcolonial Chineseness is a distinctive work that explores the much-neglected Chinese perspective in broader international relations theory. Using the concept of “self-feminizing”—adoption of a feminine identity to oblige and achieve mutual caring as a relational strategy—this book argues that postcolonial actors have employed gendered identities in order to survive the squeezing pressure of globalization and nationalism in their own ways. Sovereign actors who have historically claimed to act on behalf of Chineseness have taken advantage of the images of femininity thrust upon them by transnational capitalism, the...
Praise for the print edition:"...a useful and engaging reference to the vast world of the novel in world literature."