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Cultural Critique and Abstraction
This study of Marianne Moore and the visual arts focuses on how art productions serve to break down and re-create cultural practice, proving that culture is a mutable organism, reluctant to change, but not impervious to it. In doing so, author Elisabeth W. Joyce shows that, even though Moore may have restricted herself to the quiet, provincial life of Brooklyn, her poetry attests to her resistance to the constrictions imposed by the predominating bourgeoisie. This study presents the bifurcation between modernism and the avant-garde where, while the modernists retreated from engagement in society, the avant-gardistes remained focused on political and social issues in order to critique stifling cultural phenomena so that art could effect cultural changes. In taking this stance, instead of viewing Moore's poetry as typically and provincially American, Joyce places her in the international and radical art movements of the early twentieth century.
Trauma and Self
This remarkable collection of original essays, written by prominent scholars recognized for their achievements in a wide range of disciplines, defines trauma as a disruption in the fragile process of symbolization, or the human capacity to imbue life with meaning by representing the self's immortality. The contributors analyze the multiple meanings and deeper significance of trauma, whether of shell-shocked war veterans or victims of sexual abuse, and they discuss its manifestations, both subtle and obvious, in human behavior and memory. Organized as an honorary volume to Robert Jay Lifton, who identified trauma as the core psychological issue of the postmodern world, this book demonstrates how trauma and other fundamental breaks in human continuity inform psychiatric, historical, religious, literary, political, cultural, and scientific interpretations of the self.
Pierre Albert-Birot
This book tries to encompass the life's achievement of Pierre Albert-Birot in art, poetry, and prose. This book is a rich and exhaustively researched study of a fascinating figure and a most original mind. The volume also attempts to encompass a life's achievement and to view globally Albert-Birot's artistic, poetic, and prose productions. As such, this is an important contribution to the study and knowledge of French literature of the first half of the twentieth century and to interdisciplinary studies. It is of interest not only to specialists in French literature, but also to art historians, literary historians, and those interested in comparative aesthetics.
Avant-Garde / Neo-Avant-Garde
This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl, on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In additio...
The Visible Word
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
The Lumiere Affair
Natalie Conway should be thrilled at the prospect of covering the Cannes Film Festival. She's desperate to revive her struggling career, she's passionate about movies, and Cannes is the heart and soul of cinematic glamour and tradition, the place where film legends are born, made, or left withering on the vine. But Cannes is in France, and going to France means facing painful memories of Nattie's brief childhood in Paris and the bizarre accident that killed her mother and forced her mother's lover, Michel Claudel, to ship Nattie off to the New Mexico desert to live with a father she had never met. So France is Nattie's personal nightmare -- but with the bank foreclosing on her house in Los A...
The Philosophy of Clint Eastwood
Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has virtually defined the archetype of the tough lawman. Beginning with his first on-screen appearance in the television series Rawhide (1959–1965) and solidified by his portrayal of the "Man with No Name" in Sergio Leone's "Dollars" trilogy (1964–1966), he rocketed to stardom and soon became one of the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology behind this versatile and controversial figure, exploring his roles as actor, musician, and director. Led by editors Richard T. McClelland and Brian B. Clayton, the contributors to this timel...
Women Filmmakers
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital
