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This volume focuses on contacts between Anatolian languages within and outside Anatolia. The selected essays, written by members of ongoing research projects on Anatolian languages, present case studies from both the first and second millennia. These include etymological and morphophonological investigations within the framework of Graeco-Anatolian contacts, as well as a critical essay on the possible Anatolian-Etruscan contacts. Alongside strictly linguistic analysis, the essays cover different aspects of cultural contacts (the origin of the word for ‘salt’ in Luwian), toponyms (in Lycia), and religion (the god called King of Kaunos), and are introduced with a detailed overview of the origins of the Anatolian linguistic landscape.
The Luwians played at least as important a role as the Hittites in the history of the Ancient Near East during the second and first millennia BCE, but for various reasons they have been overshadowed by and even confused with their more famous relatives and neighbours. Redressing this imbalance, the present volume by an international team of scholars offers a comprehensive, state-of-the-art appraisal of the Luwians, the first of its kind in English. A brief introduction sets the context and confronts the problem of defining 'the Luwians'. Following chapters describe their prehistory, history, writing and language, religion, and material culture.
Cultural identity in the classical world is explored from a variety of angles.
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
In spite of the growing amount of important new work being carried out on uses of myth in particular ancient contexts, their appeal and reception beyond the framework of one culture have rarely been the primary object of enquiry in contemporary debate. Highlighting the fact that ancient societies were linked by their shared use of mythological narratives, Wandering Myths aims to advance our understanding of the mechanisms by which such tales were disseminated cross-culturally and to investigate how they gained local resonances. In order to assess both wider geographic circulations and to explore specific local features and interpretations, a regional approach is adopted, with a particular focus on Anatolia, the Near East and Italy. Contributions are drawn from a range of disciplines, and cross a wide chronological span, but all are interlinked by their engagement with questions focusing on the factors that guided the processes of reception and steered the facets of local interpretation. The Preface and Epilogue evaluate the material in a synoptic way and frame the challenging questions and views expressed in the Introduction.
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its t...
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Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation, international outrage, and possibly even homicide. How this came about is told by Nigel Spivey in a concise, stylish book that braids together the creation and adventures of this extraordinary object with an exploration of its abiding influence. Spivey takes the reader on a dramatic journey, beginning with the krater’s looting from an Etruscan tomb in 1971 and its acquisi...
A monumental history of Asia Minor from the Stone Age to the Roman Empire In this critically acclaimed book, Christian Marek masterfully provides the first comprehensive history of Asia Minor from prehistory to the Roman imperial period. Blending rich narrative with in-depth analyses, In the Land of a Thousand Gods shows Asia Minor’s shifting orientation between East and West and its role as both a melting pot of nations and a bridge for cultural transmission. Marek employs ancient sources to illuminate civic institutions, urban and rural society, agriculture, trade and money, the influential Greek writers of the Second Sophistic, the notoriously bloody exhibitions of the gladiatorial arena, and more. He draws on the latest research—in fields ranging from demography and economics to architecture and religion—to describe how Asia Minor became a center of culture and wealth in the Roman Empire. A breathtaking work of scholarship, In the Land of a Thousand Gods will become the standard reference book on the subject in English.