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Herbals
The reissue of the 1938 revised edition of a work originally published in 1912 indicates its lasting value as a classic survey on the development of botany as a distinct scientific discipline.
An Illustrated History of the Herbals
This book is a fascinating and beautifully illustrated history of herbal texts throughout the world from ancient cultures through the seventeenth century. An “herbal” by definition is a book that is descriptive of plants and the term did not come into use until the sixteenth century. The production of herbals is closely connected to the history of early printing and offers the finest examples of this art and craft. However, the earliest records of ancient Egypt, Sumer and China all reflect a tradition of works of botanicals and their medicinal properties long before printing. The author’s survey begins with a work called De materia medica written in the first century which is extant and, as the final authority on pharmacy for 1500 years, is the most important herbal ever written. The study of herbals offers a rich history of the culture and beliefs from the folklore and science of medieval and classical worlds.
Medieval Herbals
Collins shows how the principal herbal traditions of Classical descent were replaced by a new observation of nature that itself paved the way for the magnificent paintings of later French and Italian herbals.
The Old English Herbals
DigiCat Publishing presents to you this special edition of "The Old English Herbals" by Eleanour Sinclair Rohde. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Early Modern Herbals and the Book Trade
Between 1525 and 1640, a remarkable phenomenon occurred in the world of print: England saw the production of more than two dozen editions identified by their imprints or by contemporaries as 'herbals'. Sarah Neville explains how this genre grew from a series of tiny anonymous octavos to authoritative folio tomes with thousands of woodcuts, and how these curious works quickly became valuable commodities within a competitive print marketplace. Designed to serve readers across the social spectrum, these rich material artifacts represented both a profitable investment for publishers and an opportunity for authors to establish their credibility as botanists. Highlighting the shifting contingencies and regulations surrounding herbals and English printing during the sixteenth and early seventeenth century, the book argues that the construction of scientific authority in Renaissance England was inextricably tied up with the circumstances governing print. This title is also available as Open Access on Cambridge Core.
Herbal Medicine
The global popularity of herbal supplements and the promise they hold in treating various disease states has caused an unprecedented interest in understanding the molecular basis of the biological activity of traditional remedies. Herbal Medicine: Biomolecular and Clinical Aspects focuses on presenting current scientific evidence of biomolecular ef
The Domestic Herbal
In the seventeenth century, even the most elaborate and fashionable gardens had areas set aside for growing herbs, fruit, vegetables and flowers for domestic use, while those of more modest establishments were vital to the survival of the household. This was also a period of exciting introductions of plants from overseas.Using manuscript household manuals, recipe books and printed herbals, this book takes the reader on a tour of the productive garden and of the various parts of the house - kitchens and service rooms, living rooms and bedrooms - to show how these plants were used for cooking and brewing, medicines and cosmetics, in the making and care of clothes, and finally to keep rooms fre...
