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Hernán Laborde
None
Rusia de hoy
None
Correspondencia con Hernan Laborde
Agradecimiento por la inclusión a la Antología del Ilustrado.
Movements After Revolution
Movements After Revolution is a history of the people's movements in the aftermath of the Mexican Revolution of 1910-20 that brought together industrial workers and rural communities to fight for a vast array of demands and diverse forms of justice.
Compromised Positions
To illuminate the complex cultural foundations of state formation in modern Mexico, Compromised Positions explains how and why female prostitution became politicized in the context of revolutionary social reform between 1910 and 1940. Focusing on the public debates over legalized sexual commerce and the spread of sexually transmitted disease in the first half of the twentieth century, Katherine Bliss argues that political change was compromised time and again by reformers' own antiquated ideas about gender and class, by prostitutes' outrage over official attempts to undermine their livelihood, and by clients' unwillingness to forgo visiting brothels despite revolutionary campaigns to promote...
Blood, Ink, and Culture
DIVIn this collection Bartra offers commentary on connections between popular culture, national ideology, and the state, assessing sociocultural events and processes in Mexico and analyzing Mexico’s cultural and political relationship to the U.S./div
Picturing the Proletariat
In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revoluti...
