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The Power of Adrienne Rich
A New York Times Book Review Editors’ Choice “A comprehensive biography of . . . one of the most acclaimed poets of her generation and a face of American feminism.”—New York Times A major American writer, thinker, and activist, Adrienne Rich (1929–2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich’s correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations.
Wild Blessings
Widely acclaimed for her powerful explorations of race, womanhood, spirituality, and mortality, poet Lucille Clifton has published thirteen volumes of poems since 1969 and has received numerous accolades for her work, including the 2000 National Book Award for Blessing the Boats. Her verse is featured in almost every anthology of contemporary poetry, and her readings draw large and enthusiastic audiences. Although Clifton's poetry is a pleasure to read, it is neither as simple nor as blithely celebratory as readers sometimes assume. The bursts of joy found in her polished, elegant lines are frequently set against a backdrop of regret and sorrow. Alternately consoling, stimulating, and emotio...
American Hipster
American Hipster: The Life of Herbert Huncke, The Times Square Hustler Who Inspired the Beat Movement tells the tale of a New York sex worker and heroin addict whose unrepentant deviance caught the imagination of Jack Kerouac, Allen Ginsberg, and William S. Burroughs. Teetering between exhaustion and existential despair, Huncke (rhymes with “junky”) often said, “I’m beat, man.” His line gave Kerouac the label for a down-at-the-heels generation seeking spiritual sustenance as well as “kicks” in post-war America. Recognizable portraits of Huncke appear in Junky (1953), Burroughs's acerbic account of his own heroin addiction; “Howl” (1956), the long, sexually explicit poem tha...
Tipton
In the years leading up to World War II, life at the Tipton Home is tranquil. The children help run the farm that sustains them and obey Dale and Muriel Jenkins, the couple running this rural Oklahoma orphanage on a tight budget. But the arrival of a sensual and impulsive young housemother interrupts Tipton's gentle rhythms. Alice Williams quickly attracts the admiration of the teenaged boys. Ross Gentry in particular develops feelings for Alice, who nurses him to health after a brutal fight and agrees to help him find out the identity of his birth parents. Defying her Aunt Muriel and Uncle Dale, Alice flirts with Ross and the other boys, meddles in orphanage business, and goes out drinking ...
Ann Petry's Short Fiction
This collection of critical essays is the first work to examine the short stories of Ann Petry, a noted African American writer. While best known for her best-selling debut novel, The Street, the focus of this text is her equally important, but less familiar, volume of short stories Miss Muriel and Other Stories. Within Ann Petry's Short Fiction: Critical Essays, contributors from a variety of disciplines, from literary studies to philosophy, analyze and comment on stories such as Mother Africa, In Darkness and Confusion, and The Witness. Organized into three parts, the first section provides an overview of Petry's short fiction from different theoretical perspectives. In the following two segments, essays are arranged in chronological order, beginning with Petry's work from the 1940s. Contributors discuss her portrayal of characters and conflict as well as thematic threads that run through Petry's work. Taken together, these 14 essays constitute an invaluable companion to Petry's work. This illuminating collection will interest scholars of literature, history, and culture, as well as anyone interested in the fiction of Ann Petry.
Writing Historical Fiction
Writing Historical Fiction: A Writers' & Artists' Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.
The Street
From the time she was born, she had been hemmed into an ever-narrowing space, until now she was very nearly walled in . . . New York City, 1940s. In a crumbling tenement in Harlem, Lutie Johnson is determined to build a new life for herself and her eight-year-old boy, Bub. Having left her unreliable husband, Lutie believes that with hard work and resolve, she can begin again. But in her struggle to earn a respectable living amid the violence, poverty and racial dissonance of her surroundings, Lutie is soon trapped: she is a woman alone, 'too good-looking to be decent', with predators at every turn. The first book by a Black woman to sell more than a million copies, The Street combines the pace of a thriller with an unflinching portrait of injustice and hope. Introduced by TAYARI JONES 'The prose is clear, the plot is page-turning, the characters are utterly believable' CHIMAMANDA NGOZI ADICHIE 'Like the human experience, this book is riddled with pain, but somehow powered by hope' TAYARI JONES 'I've recently had my brain re-wired by Ann Petry, and it's that exhilarating feeling of falling in love with one of your lifetime writers for the first time' BRANDON TAYLOR
Veil and Burn
Concerned with physical experience, pain, and disability, Veil and Burn illuminates an intense desire to feel through the Other, embrace it, become it, and in the transformation, to understand the suffering body. In poems about animals, artifacts, and monsters, Lambeth displays a fascination for all bodies while exploring their pain, common fate, alienation, and abilities. Hovering between poem and prose fragment, between the self and fellow creatures, Laurie Clements Lambeth celebrates physical sensation, imbuing it with lyric shape, however broken, however imprisoned the shape may be.
The Dream of a Common Language: Poems 1974-1977
“Certain lines had become like incantations to me, words I’d chanted to myself through sorrow and confusion” —Cheryl Strayed, Wild “The Dream of a Common Language explores the contours of a woman’s heart and mind in language for everybody—language whose plainness, laughter, questions and nobility everyone can respond to. . . . No one is writing better or more needed verse than this.”—Boston Evening Globe
