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Adjusting the Lens
Through powerful case studies, Adjusting the Lens addresses the ways that the historical photographic record of Indigenous peoples has been shaped by colonial practices, and explores how this legacy is being confronted by Indigenous art activism and contemporary renegotiations of the past. Contributors to this collection analyze the photographic practices and heritage of communities from North America, Europe, and Australia, revealing how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record.
Ritual Imagination
Ritual Imagination is a study of spirit possession and ritual dynamics. Based on fieldwork in eastern Madagascar, Hilde Nielssen shows how tromba possession works as a flexible and fluid force, whose ritual imaginary playfully draws together elements from radically different cultural and social domains, thereby constituting human realities and creating ways of relating to changing and disjunctive circumstances. Tromba's strength lies in its fluid capacities to relate to ongoing social change by altering its own practices, while at the same time continuing to heal person and cosmos. The book critically addresses the still dominant perspective in anthropology, where rituals are understood as representations of culture and society. Using tromba as a pivotal case in the critique of ritual as representation, this book offers a fresh perspective on ritual and spirit possession.
Protestant Missions and Local Encounters in the Nineteenth and Twentieth Centuries
This book makes visible an important but neglected aspect of Christian missions: its transnational character. Missionaries considered themselves global actors, yet they operated within a variety of nation-states. The volume demonstrates how processes on a national level are closely linked to larger transnational processes.
Museums, Narratives, and Critical Histories
In response to systemic racism and institutions’ implications in histories of colonialism, nationalism, and exclusion, museum curators have embraced new ways of storytelling to face entangled memories and histories. Critical museum practices have consciously sought to unsettle established forms of representation, break with linear narratives of progress, and experiment with new modes of multivocal, multimedia, and subjective storytelling. The volume features analyses of narratives and narration in museums and heritage institutions today, as well as visions for future museum practices on a local, regional, national, transnational, and global scale. It is divided into three sections: Narrati...
A New Testament
A NEW TESTAMENT offers a recast economic, legal, and social history of the strangely neglected, enduring and power-laden relationship between a Scandinavian Transatlantic mission and the Santals, Boro and Bengalis of East India, Northern Bangladesh, and Eastern Nepal. Bleie's kaleidoscopic portraits transport readers back to the medieval period and Danish and British Company Rule. The British Raj and the early post-Independence period remain her principal framing, however. This customized text enables readers to navigate and selectively immerse themselves in theoretical and descriptive chapters brimming with immersive storytelling. The volume is relevant for university curricula in international history, Scandinavian and Norwegian transnational history, Santal ethnohistory, the history of religion, the sociology of religion, mission history, intercultural history of Christianity, museum studies, subaltern and postcolonial studies, comparative international law, peace and development studies, social anthropology, history of aid, tribal studies, women's studies, and the study of indigenous oral and textual history.
Shadows of Empire in West Africa
These essays reexamine European forts in West Africa as hubs where different peoples interacted, negotiated and transformed each other socially, politically, culturally, and economically. This collection brings together scholars of history, archaeology, cultural studies, and others to present a nuanced image of fortifications, showing that over time the functions and impacts of the buildings changed as the motives, missions, allegiances, and power dynamics in the region also changed. Focusing on the fortifications of Ghana, the authors discuss how these structures may be interpreted as connecting Ghanaian and West African histories to a multitude of global histories. They also enable greater understanding of the fortifications’ contemporary use as heritage sites, where the Afro-European experience is narrated through guided tours and museums.
Curating the Contemporary in the Art Museum
Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged – in exhibitions, collecting practices, communication, and policies. Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians, academics and curators, the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art, while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices, which hai...
Ritual Imagination
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Adjusting the Lens
Through powerful case studies, Adjusting the Lens addresses the ways that the historical photographic record of Indigenous peoples has been shaped by colonial practices, and explores how this legacy is being confronted by Indigenous art activism and contemporary renegotiations of the past. Contributors to this collection analyze the photographic practices and heritage of communities from North America, Europe, and Australia, revealing how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record.
Sámi Research in Transition
For several decades now, there have been calls to decolonize research on the Indigenous Sámi people, and to make it accountable to the Sámi society. While this has contributed to the rise of a vibrant Sámi research community in the Nordic countries, less attention has been paid to what extent, and how the "Sámi turn" in research has been implemented in practice. Written by prominent Nordic and Sámi scholars anchored in the Sámi research communities in Finland, Norway and Sweden, this volume explores not only the meanings and implications of this turn across disciplines, but also some of the challenges that efforts to create space for Sámi voices, knowledges and perspectives still meet...
