You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
`A study of both Tudor Anglo-Irish relations and the 16th century, Morgan's work is first rate, thoughtful, well-researched and subtle.' ARCHIVES As a study of both Tudor Anglo-Irish relations and the sixteenth-century, Morgan's work is first rate, thoughtful, well-researched and subtle. ARCHIVES Fascinating piece of detective work... No serious student of late Tudor Ireland can afford to ignore this rigorous and painstaking analysis. HISTORY Between 1594-1603 Elizabeth I faced her most dangerous challenge - the insurrection in Ireland known to British historians as the rebellion of the earl of Tyrone, and to their Irish counterparts in the Nine Years War. This study examines the causes of t...
The historical resonances of the concept of 'Britain' for the communities of the Atlantic Archipelago in the early modern period are explored here in terms of the ideological demands made upon it. Various and competing concepts of Britishness are examined, from the Henrician legislation which united Wales with England and which created the kingdom of Ireland, to the Act of Union of the realms of England and Scotland. The chequered history of the consciousness of Britain as a polity which embraced the united kingdoms is discussed in relation to the distinctive national identities of the constituent countries, and the question of the impact of 'Britain' on English policy-making under the Tudor, Stuart and the first Hanoverian monarchs is addressed. The puzzling resistance of the Irish to assimilation in contrast to the docility of the Welsh and - eventually - of the Scots is also explored.
This collection of essays arising out of a seminar organized by the Folger Library, Washington, provides an in-depth analysis of the period's writings. It looks at the work of Spenser and other colonial writers but also at the work of more neglected Irish writers, attempting to discern what they thought about their country and its predicament.
At the rise of the Tudor age, England began to form a national identity. With that sense of self came the beginnings of the colonialist notion of the ""other"""" Ireland, however, proved a most difficult other because it was so closely linked, both culturally and geographically, to England. Ireland's colonial position was especially complex because of the political, religious, and ethnic heritage it shared with England. Andrew Murphy asserts that the Irish were seen not as absolute but as ""proximate"" others. As a result, English writing about Ireland was a problematic process, since standard.
What does it mean to be of Irish descent? What does Irish descent stand for in Ireland? In Northern Ireland? In the United States? How are the categories of “native” and “settler” and accounts of ethnic origin being refigured through popular genealogy and population genetics? Of Irish Descent addresses these questions by exploring the contemporary significance of ideas about ancestral roots, origins, and connections. Moving from the intimacy of family stories and reunions to disputed state policies on noble titles and new applications of genetic research, Nash traces the place of ancestry in interconnected geographies of identity—familial, ethnic, national, and diasporic. Underlying these different practices and narratives are potent and profoundly political questions about who counts as Irish and to whom Ireland belongs. Examining tensions between ideas of plurality and commonality, difference and connection that run through the culture and science of ancestral origins, Of Irish Descent is an original and timely exploration of new configurations of nation and diaspora as communities of shared descent.
Nationalism is a particularly slippery subject to define and understand, particularly when applied to early modern Europe. In this collection of essays, Brendan Bradshaw provides an insight into how concepts of ’nationalism’ and ’national identity’ can be understood and applied to pre-modern Ireland. Drawing upon a selection of his most provocative and pioneering essays, together with three entirely new pieces, the limits and contexts of Irish nationalism are explored and its impact on both early modern society and later generations, examined. The collection reflects especially upon the emergence of national consciousness in Ireland during a calamitous period when the late-medieval, ...
When Charles Hill Morgan learned how to use specialized drafting tools in the 1840s, his professional-grade compass precisely centered measurements for foundations and steam engines. His mastery of these tools led to a future of vast new possibilities. The strength of his ideas and the success of his inventions took him on a path that led from Lancaster's Factory Village in central Massachusetts to the courts of Europe. In the span of 80 years, Charles would go from living hand to mouth in Shrewsbury, Massachusetts to taking tea at Windsor Castle with the Queen of England.
Ireland was England's oldest colony. Making Empire revisits the history of empire in IrelandEDin a time of Brexit, 'the culture wars', and the campaigns around 'Black Lives Matter' and 'Statues must fall'EDto better understand how it has formed the present, and how it might shape the future. Empire and imperial frameworks, policies, practices, and cultures have shaped the history ofthe world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire re-examines empire as processEDand Ireland's role in itEDthrough the lens of early modernity. It covers the two hundred years, between themid-sixteenth century and the mid-eighteenth century, that e...
This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain – whether endured or inflicted, witnessed or remediated – is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history.