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Ben is learning to keep secrets. No one must know about his mother and her addiction to sherry. No one must know about the bedwetting that so bewilders him. And no one must ever know about the blue folder that he¿d stumbled across in Stuart England¿s car at the end of the previous term. Stuart England is the charismatic young master¿not long down from Oxford¿who makes life possible for Ben in the emotionally sterile environment of his prep school in Gloucestershire. This is the story of Ben¿s long struggle to be free of the demons that have chased him since childhood. Will he ever find the courage, like the house martins that fly high above the school, to accept life on life¿s terms?
This chronicle of the two months in 1888 when Paul Gauguin shared a house in France with Vincent Van Gogh describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Includes 60 B&W reproductions of the artists' paintings and drawings from the period.
‘The best thing Martin Amis has done in fiction for years’ Literary Review There were conjugal visits in the slave camps of the USSR. Valiant women would travel continental distances, over weeks and months, in the hope of spending a night, with their particular enemy of the people, in the House of Meetings. The consequences of these liaisons were almost invariably tragic. House of Meetings is about one such liaison. It is a triangular romance: two brothers fall in love with the same girl, a nineteen-year-old Jewess, in Moscow, which is poised for pogrom in the gap between the war and the death of Stalin. Both brothers are arrested, and their rivalry slowly complicates itself over a decade in the slave camp above the Arctic Circle. ‘It is difficult not to be impressed by this compact tour de force’ Observer
A sweeping, kaleidoscopic, and passionate novel that presents a stunning series of flashes — scenes, moods, dreams, and weather— as the narrator wanders through Lima. Published in 1928 to great acclaim when its author was just twenty years old, The Cardboard House is sweeping, kaleidoscopic, and passionate. The novel presents a stunning series of flashes — scenes, moods, dreams, and weather— as the narrator wanders through Barranco (then an exclusive seaside resort outside Lima). In one beautiful, radical passage after another, he skips from reveries of first loves, South Pole explorations, and ocean tides, to precise and unashamed notations of class and of race: an Indian woman “with her hard,shiny, damp head of hair—a mud carving,” to a gringo gobbling “synthetic milk,canned meat, hard liquor.” Adán’s own aristocratic family was in financial freefall at the time, and, as the translator notes, The Cardboard House is as “subversive now as when it was written: Adán’s uncompromising poetic vision and the trueness and poetry of his voice constitute a heroic act against cultural colonialism.”
With the owner gone, three dolls watch as their house becomes hidden by growing plants and trees until a man walks by and discovers the residence.
“In this epic examination, [a] celebrated historian explores the evolution of Judaism and Islam through a lens of Middle Eastern stability.” (Publishers Weekly) The relationship between Jews and Muslims has been a flashpoint that affects stability in the Middle East with global consequences. In this eloquent book, Martin Gilbert presents a fascinating account of the hope and fear that have characterized these two peoples through the 1,400 years of their intertwined history. Harking back to the Biblical story of Ishmael and Isaac, Gilbert takes the reader from the origins of the fraught relationship—the refusal of Medina’s Jews to accept Mohammed as a prophet—through the ages of the...
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Twenty years ago, Malcolm Whiteley discovers his attractive wife Lysette is having an affair. The Whiteleys are wealthy, and live with their 16-year-old daughter Amber in the magnificent Dungeon House, overlooking Cumbria's remote western coast. But Malcolm is under financial and emotional pressure, and he begins to disintegrate psychologically, suspecting the men in their circle of being Lysette's lover. When Lysette tells Malcolm their marriage is over, he snaps, and takes out the old Winchester rifle he has been hiding from Lysette... Back to the present day, and Hannah Scarlett's cold case team are looking into the three-year-old mystery of the disappearance of Lily Elstone, whose father was Malcolm Whiteley's accountant. Their investigation coincides with the disappearance of another teenage girl, Shona Whiteley, daughter of Malcolm's nephew Nigel. Nigel now lives in the Dungeon House, despite its tragic history. Twenty years earlier, Malcolm shot his wife and apparently killed his daughter before shooting himself. But as Hannah's team dig down into the past, doubts arise about what exactly happened at the Dungeon House twenty years ago...
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