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An infuriating tale of malfeasance among what should have been the state's most trusted servants
Not everything that can be said in one language can be said in another. The lexicons of different languages seem to suggest different conceptual universes. Investigating cultures from a universal, language-independent perspective, this book rejects analytical tools derived from the English language and Anglo culture and proposes instead a "natural semantic metalanguage" formulated in English words but based on lexical universals. The outcome of two and a half decades of research, the metalanguage is made up of universal semantic primitives in terms of which all meanings--including the most culture-specific ones--can be described and compared in a precise and illuminating way. Integrating insights from linguistics, cultural anthropology, and cognitive psychology, and written in simple, non-technical language, Semantics, Culture, and Cognition is accessible not only to scholars and students, but also to the general reader interested in semantics and the relationship between language and culture.
This book offers a big-picture look at the evolution of Western thought on technology by focusing on seven periods when there was a paradigm shift in perspective. A techno-myth is used to identify, shape and capture the beliefs of each era. Drawing from philosophy, literature, social sciences, physical sciences, mythology, and cultural history, the book brings to life the ideas of the great thinkers and the ancient myths. What their message tells us is that we have failed to learn from the mistakes of the past. We have allowed technology to take control of our lives and narrowed our thinking to a one-dimensional, materialistic perspective. We have become prisoners in Max Weber’s metaphoric iron cage. But they also tell us how to free ourselves by humanizing technology so that humans are in control, which is explored in depth in this book.
This text is a workbook in etymology and vocabulary building from Latin and Greek elements. An introduction which gives a brief description of the foreign influence on English vocabulary is followed by exercises in spelling, usage, and the histories of words. The Latin and Greek sections introduce students to word formation in the classical tongues. Numerous exercises are included to practice the principles of compounding words and the word elements. The new edition adds fuller explanations and numerous vocabulary notes to show interesting relationships of words and word groups as well as more exercises and review material, based on feedback from students in the class during the last five years. Contents: Introduction: The Beginnings of English. PART I: LATIN WORDS IN ENGLISH. Latin Nouns and Adjectives; Formation of Adjectives; Noun Suffixes; Latin Verbs; Prefixes; Present Base; Suffixes. PART II: GREEK WORDS IN ENGLISH. Greek Words into English; Noun Base Compounds; Adjectives; Suffixes; Prefixes; Verb Bases. APPENDIX: SUFFIXES FROM LATIN. Latin Base Words; Greek Base Words; English to Latin; English to Greek.
Alistair Horne has been a close observer of war and history for more than fifty years. In this wise and masterly work, he revisits six battles that changed the course of the twentieth century and reveals the one trait that links them all: hubris. From the Battle of Tsushima in the Russo-Japanese War of 1905 to Hitler's 1941 bid to capture Moscow, and from the disastrous American advance in Korea to the French surrender at Dien Bien Phu, Horne shows how each of these battles was won or lost due to excessive hubris on one side or the other. A dramatic, colourful and stylishly written history, HUBRIS is an essential reflection on war from a master of his field.
Unique insights into how the mind of an investor operates and how developing emotional awareness leads to long-term success Inside the Investor's Brain provides readers with specific techniques for understanding their financial psychology, so that they can improve their own performance and learn how to outsmart other investors. Chapter by chapter, author Richard Peterson addresses various mental traps and how they play a role in investing. Through examples, such as a gambling experiment with playing cards, the author shows readers how being aware of the subconscious can separate the smart investors from the average ones. This book also contains descriptions of the work of neuroscientists, financial practitioners, and psychologists, offering an expert's view into the mind of the market. Innovative and accessible, Inside the Investor's Brain gives investors the tools they need to better understand how emotions and mental biases affect the way they manage money and react to market moves.
There are no direct records of the original Indo-European speech. By comparing the vocabularies of its various descendants, however, it is possible to reconstruct the basic Indo-European roots with considerable confidence. In The Origins of English Words, Shipley catalogues these proposed roots and follows the often devious, always fascinating, process by which some of their offshoots have grown. Anecdotal, eclectic, and always enthusiastic, The Origins of English Words is a diverting expedition beyond linguistics into literature, history, folklore, anthropology, philosophy, and science.
An investor's guide to understanding the most elusive (yet most important) aspect of successful investing - yourself. Why is it that the investing performance of so many smart people reliably and predictably falls short? The answer is not that they know too little about the markets. In fact, they know too little about themselves. Combining the latest findings from the academic fields of behavioral finance and experimental psychology with the down-and-dirty real-world wisdom of successful investors, Drs. Richard Peterson and Frank Murtha guide both new and experienced investors through the psychological learning process necessary to achieve their financial goals. In an easy and entertaining s...
Judith Perraino investigates how music has been used throughout history to call into question norms of gender and sexuality. Beginning with an examination of the mythology surrounding the Sirens, she goes on to consider musical creatures, gods, humans and music-addled listeners.
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