Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Banned Book Club
The gripping true story of a South Korean woman's student days under an authoritarian regime in the early 1980s, and how she defied state censorship through the rebellion of reading.
Dangerous Women
Dangerous Women addresses the themes of Korean nationalism and gender construction, as well as various issues related to the colonialization and decolonialization of the Korean nation. The contributors explore the troubled category of "woman," placing it in the specific context of a marginalized and colonized nation. But Korean women are not merely configured here as metaphors for an emasculated and infantilized "homeland;" they are also shown to be products of a problematic gender construction that originates in Korea, and extends even today to Korean communities beyond Asia. Representations of Korean women still attempt to confine them to the status of either mother or prostitute: Dangerous Women rectifies that construction, offering a feminist intervention that might recuperate womanhood.
The Art of Dansaekhwa
Korean Dansaekhwa painting emerged in the 1970s as a reaction to the academicism of the National Art Exhibition and the country's rapidly changing social and political landscape. Characterized by its emphasis on the monochrome, its refined approach to materiality and its philosophical interest in the relationship between the artist's consciousness and the act of making, Dansaekwha borrowed materials, techniques and motifs from both Eastern and Western painting traditions. The Art of Dansaekhwa explores how the Dansaekhwa movement flourished within the then-contemporary art scene in Korea and beyond, telling the story of the development of contemporary art practice in Korea through the work of Dansaekhwa artists Kim Guiline, Chung Sang-Hwa, Chung Chang-Sup, Ha Chong-Hyun, Lee Ufan, Park Seo-Bo and Yun Hyong-Keun.
Student Ambassador: The Missing Dragon
"A student ambassador is sent on a high-stakes diplomatic mission to a far away land, where he and a newly crowned boy king are thrust into a globe-trotting action-adventure mystery"--
Bodies in Contact
From portrayals of African women’s bodies in early modern European travel accounts to the relation between celibacy and Indian nationalism to the fate of the Korean “comfort women” forced into prostitution by the occupying Japanese army during the Second World War, the essays collected in Bodies in Contact demonstrate how a focus on the body as a site of cultural encounter provides essential insights into world history. Together these essays reveal the “body as contact zone” as a powerful analytic rubric for interpreting the mechanisms and legacies of colonialism and illuminating how attention to gender alters understandings of world history. Rather than privileging the operations ...
Grass
Appeared on best of the year lists from The New York Times, The Guardian, and more! Winner of The Cartoonist Studio Prize for Best Print Comic of the Year! Grass is a powerful antiwar graphic novel, telling the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the Second World War—a disputed chapter in twentieth-century Asian history. Beginning in Lee’s childhood, Grass shows the lead-up to the war from a child’s vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Koreans. Keum Suk Gendry-Kim emphasizes Lee’s strength in overcoming...
Dead Silence and Other Stories of the Jeju Massacre
The years 1945?1950 were turbulent times in Korea. Proponents of two very different ideologies were struggling for control of the country, and many innocent people were killed in the struggle. One of the most tragic and, until now, largely unknown events during this period occurred on Jeju Island in 1948. On April 3 of that year, a communist uprising that enjoyed significant support within the local communities was brutally suppressed by the police and military forces of the Korean government, with guidance from the American military. It is estimated that at least 30,000 people, many of them innocent civilians, were killed in the brutal massacre ordered by President Syngman Rhee. And yet ver...
Who's Who in Contemporary World Theatre
Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
The Salmon Who Dared to Leap Higher
Translated for the first time into English, The Salmon Who Dared To Leap Higher by Ahn Do-hyun is a multi-million copy bestselling modern fable about finding freedom and a harmony with nature we have either forgotten or lost in the binding realities of life. The life of the salmon is a predictable one: swimming upstream to the place of its birth to spawn, and then to die. This is the story of a salmon whose silver scales mark him out as different – who dares to leap beyond his fate. It's a story about growing up, and about aching and ardent love. For swimming upstream means pursuing something the salmon cannot see: a dream.
The Grace of Sophia
The Grace of Sophia reaches out to Korean North American women, including former victims of severe religious and cultural suffering in Korea and current casualties of racism, classism, and sexism in North America. By sharing her own views on racism, the patriarchal Korean society, and multifaith understandings of wisdom, author Grace Ji-Sun Kim offers strength for the journey to empowerment and hope in the search for a liberative Korean North American women's Christology.
