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The Feminist Bestseller
Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.
Modern Feminist Thought
Outlines the main features of major strands in contemporary second wave feminist thought, and debates the place of feminism in social, political, and personal life during the 1990s. After a retrospective of feminist thought from the 1960s through the mid-1980s, chapters present the origins of aspects of second wave feminism such as liberal, socialist, radical, lesbian, and black feminism, and discuss feminist debates in the 1980s and 1990s, men in feminism, the media and feminist superstars, and theoretical developments. Annotation copyright by Book News, Inc., Portland, OR
The Feminist Bestseller
Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.
Overloaded
This volume examines the phenomenon of laddishness and the cult of the girlie in film, TV, advertising, music, politics, literature and society. It interprets these trends as a nostalgic longing for a pre-feminist society which, through the medium of comedy and irony, has been manipulated by popular media as a liberation from political correctness. Contrasting the culture icons of the 1990s with the 1970s tough chicks and the 1980s New Man and Have-It-All Woman, the book aims to show how the rhetoric of laddism emerged and how it has infused so many aspects of our cultural identity.
50 Key Concepts in Gender Studies
`Lively and impressive. I can easily imagine this text being used by both gender and women's studies undergraduates and postgraduates. In particular it will enable students to get a sense of how older and more contemporary theoretical movements and debates relate to one another' - Lisa Adkins, Department of Sociology, University of Manchester Part of a new `Key Concepts' series published by SAGE, Key Concepts in Gender Studies offers 1,500 word expositions of 50 topics central to the field. Jane Pilcher and Imelda Whelehan's introduction gives an account of gender studies - what it is and how it originated. Their selection of topics is authoritative and the 50 entries reflect the complex, mu...
Screen Adaptation
Adaptation studies has historically been neglected in both the English and Film Studies curricula. Reflecting on this, Screen Adaptation celebrates its emergence in the late 20th and 21st centuries and explores the varieties of methodologies and debates within the field. Drawing on approaches from genre studies to transtexuality to cultural materialism, the book examines adaptations of both popular and canonical writers, including William Shakespeare, Jane Austen and J.K.Rowling. Original and provocative, this book will spark new thinking and research in the field of adaptation studies. Mapping the way in which this exciting field has emerged and shifted over the last two decades, the book is also essential reading for students of English Literature and Film.
Teaching Adaptations
Teaching Adaptations addresses the challenges and appeal of teaching popular fiction and culture, video games and new media content, which serve to enrich the curriculum, as well as exploit the changing methods by which English students read and consume literary and screen texts.
Post-war Adaptations
The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.
Key Concepts in Gender Studies
The new edition of Key Concepts in Gender Studies is a lively and engaging introduction to this dynamic field. Thoroughly revised throughout, the second edition benefits from the addition of nine new concepts including Gender Social Movements, Intersectionality and Mainstreaming. Each of the entries: begins with a concise definition outlines the history of each term and the debates surrounding it includes illustrations of how the concept has been applied within the field offers examples which allow a critical re-evaluation of the concept is cross-referenced with the other key concepts ends with guidance on further reading. A must-buy for undergraduate and postgraduate students in a range of social science and humanities disciplines.
The Cambridge Companion to Literature on Screen
This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.
