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Salamangka 1
Between these pages lies a world unlike anything you've ever known, from the mind of one of the most talented artists of this generation. Here, you will find men and women transcending mortality, gods waging war on other gods, and otherwordly creatures pursuing worldly passions. In these pages, Ian Sta. Maria has created a world for beings he's met in his daydreams and nightmares. But these stories have neither beginning nor end—only the enduring present. It’s a world waiting for your imagination to come even more alive. They say that through stories, we transcend death. We simply become the stories. Between these pages lies immortality. And it's waiting for you.
Mr Tino
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How the Man in Green Saved Pahang, and Possibly the World
Winner of the 2020 Epigram Books Fiction Prize When a renegade prophet vanishes in a cloud of pigeons in Kuala Lumpur, chorister and first witness Gabriel finds himself press-ganged into a wild road trip down the Malaysian coast. Meanwhile, in a sleepy town by the sea, Lydia traces the links between her late grandaunt’s eccentric lover and her involvement in the Communist Emergency. As Lydia and Gabriel enter a shadowy mythology of serpents, Sufi saints and plainclothes gods, they must grapple with the theologies and histories they once trusted, in a country more perilously punk than they’d ever conceived of. Reader Reviews: "A dizzying tale of saints, heists, maybe-queens." —The Strai...
Underpass
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The Book of Leeds
Millgarth Police Station reverberates with the early adrenalin-rush of a case they won't close for years. A teenage boy trails the city centre bars of the eighties in thrall to his hero - a Leeds United football hooligan. A single woman finds her frustrations with men confirmed speed-dating in a city re-invented as a party capital. Bringing together fiction from some of the city's most celebrated writers, The Book of Leeds traces the unique contours that fifty years of social and economic change can impress on a city. These are stories that take place at oblique angles to the larger events in the city's history, or against wider currents that have shaped the social and cultural landscape of today's Leeds: a modern city with both problems and promise.
First Love, Last Rites
Somerset Maugham Award winner: Dark early fiction by the author of Nutshell—“A splendid magician of fear” (The Village Voice Literary Supplement). Taut, brooding, and densely atmospheric, the stories here show us how murder can arise out of boredom, perversity from adolescent curiosity—and how sheer evil can become the solution to unbearable loneliness. These short fiction pieces from the early career of the New York Times–bestselling and Man Booker Prize–winning author of Atonement and On Chesil Beach are claustrophobic tales of childhood, twisted psychology, and disjointed family life as terrifying as anything by Stephen King—and finely crafted with a lyricism and an intensity that compels us to confront our secret kinship with what repels us. “A powerful talent that is both weird and wonderful.” —The Boston Sunday Globe “Ian McEwan’s fictional world combin[es] the bleak, dreamlike quality of de Chirico’s city-scapes with the strange eroticism of canvases by Balthus. Menace lies crouched between the lines of his neat, angular prose, and weird, grisly things occur in his books with nearly casual aplomb.” —The New York Times
Optic Nerve
"In this delightful autofiction―the first book by Gainza, an Argentine art critic, to appear in English―a woman delivers pithy assessments of world–class painters along with glimpses of her life, braiding the two into an illuminating whole." ―The New York Times Book Review, Notable Book of the Year and Editors' Choice The narrator of Optic Nerve is an Argentinian woman whose obsession is art. The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her. In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko...
Olivia Saves The Circus
It's show-and-tell time at Olivia's school and she's telling her class about the time she went to the circus and all the performers were sick... so Olivia had to do everything. She tamed the lions, balanced on stilts, juggled and even played the clown. 'Was that true?' Olivia's teacher asks. 'Quite true,' says Olivia. 'Are you sure Olivia?' 'To the best of my recollection,' she says.
Texture in the Work of Ian Hacking
This book offers a systematized overview of Ian Hacking's work. It presents Hacking’s oeuvre as a network made up of four interconnected key nodes: styles of scientific thinking & doing, probability, making up people, and experimentation and scientific realism. Its central claim is that Michel Foucault’s influence is the underlying thread that runs across the Canadian philosopher’s oeuvre. Foucault’s imprint on Hacking’s work is usually mentioned in relation to styles of scientific reasoning and the human sciences. This research shows that Foucault’s influence can in fact be extended beyond these fields, insofar the underlying interest to the whole corpus of Hacking’s works, na...
Olivia Goes to Venice
In her latest adventure, Olivia, everyone's favourite little pig, is off the Venice, the place of fine art, carnival and gondolas for a family holiday to remember. With her very own discerning eye for style, Olivia takes the beautiful city of Venice by storm. From dodging pigeons in the Piazza San Marco, to eating an abundance of the most delicious Italian gelato at Carneval, and barelystaying afloat in a gondola, Olivia uncovers the wonderful delights of Venice with that very special 'Olivia' style and flair!
