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Ida Applebroog
Texts and images largely reproduced in digital facsimile from the artist's handwritten, typescript and stenciled archival materials and her drawings and other original visual works. Eight items are printed on Gampi paper and mounted.
Ida Applebroog
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It is My Lunch Hour
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Ida Applebroog
In 2009 Ida Applebroog's (born 1929) assistants found a box marked "Mercy Hospital." Inside was a series of drawings the artist made nearly 50 years ago, during a period of institutionalization after suffering a debilitating breakdown in San Diego in 1969. During this tumultuous period, Applebroog, by her own account, "withdrew from the world entirely, for a period hardly able to speak at all." Instead she turned to drawing, producing works in graphite, India ink and watercolors, at times accompanied by text from authors such as Kafka and Freud. The drawings oscillate between the figurative and the abstract, laying bare the female form and calling to mind art-historical precedents informed by psychopathology, particularly works produced in early and mid-20th-century France by the likes of Wols. The publication of Mercy Hospital, with a text by Jo Applin, is the first time that Applebroog's work from this period has been documented in full.
Ida Applebroog
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Ida Applebroog
Artist Ida Applebroog uses a wide variety of media to express themes of struggles within gender and political roles, as well as sexual-identity issues. The publication Scripts is a facsimile of excerpts from one of her personal notebooks containing a compilation of handwritten notes, storyboards, mise-en-scène drawings, and musical notations. Underlining, as well as annotations in different colors, shows that the artist has intensively worked through her notes several times. Some of the fragments on these pages read: "Silences are the undercurrent of all dramatic events." "Each performance should be more of silence than words." "Any silence must be punctuated by sound eventually." For Applebroog, the staged scenes function as "a mode of narration," and "the narratives are not meant to be truths; the characters simply are." With only a few words and brief instructions, Applebroog develops stage plays of great dramatic density that she simultaneously comments on, questions, and interprets, thus delivering an insight into her working method. Ida Applebroog (*1929) is an artist living in New York. Language: English
Ida Applebroog
Artist \Applebroog uses a wide variety of media to express themes of struggles within gender and political roles. Scripts is a facsimile of a compilation of handwritten notes, storyboards, mise-en-sc ne drawings and musical notations where Ssilences are the undercurrent of all dramatic events.
Ida Applebroog
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Ida Applebroog
Did you know that Ida Applebroog has been monitoring your home for the last 25 years? Whilst you were at it, thinking no decent citizen would peer in through lowered curtains at your version of domestic bliss, Applebroog was freeze-framing your scenes for posterity (yours, not hers). Show and tell seems to be the driving element behind her late-blooming career; variously labeled as a social voyeurist and a commentator, she is most aptly described as a willing witness of the way things work in that mini-theater of cruelty called life. Though her work is featured in the permanent collections of major international institutions, Applebroog's work has not received the public attention it deserves, a situation which this monograph means to remedy.
Ida Applebroog
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