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A masterpiece of Persian Classical epic, the Shahnama or Book of Kings was composed by Abu'l-Qasem Ferdowsi at the beginning of the eleventh century. Because the Shahnama presents itself as a chronicle of the reigns of the shahs from the primordial founders to the Sasanian dynasty which ended in 651, scholarly attention has centered on the question of its historical accuracy. Addressing the literary as well as the historical and mythological aspects of the Shahnama, Olga M. Davidson makes this centerpiece of Iranian culture accessible to Western readers. Drawing on recent work in epic studies and oral poetics, Davidson considers analogies with Classical and medieval European narratives as sh...
Olga M. Davidson applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. She focuses on the eleventh-century ce epic Shahnama and its relationship to other genres embedded in it, including forms of verbal art originally composed without the aid of writing, such as women's laments.
Doak explores how the giants of the Hebrew Bible--which represent a connection to primeval chaos--offer insight into central aspects of Israel's symbolic universe. By placing biblical traditions within a broader Mediterranean context regarding giants and the end of the heroic age, Doak sheds new light on monotheism and monarchy in ancient Israel.
Cyrus the Great re-contextualizes Cyrus's epoch in light of recent scholarship. Themes include: Mesopotamian antecedents of his religious policy, the idiosyncratic genesis of Persian imperial art; Babylonian exile and the Bible; Hellenistic and Arsacid genealogical constructs; and his enigmatic evanescence in Sasanian and Muslim traditions.
Global Medieval compares mirrors for princes from varied historical contexts and lineages of political thought in order to determine whether a genuine history of political thought in the premodern period is possible. These texts become a lens for exploring ideals and manners of good rule across political, religious, and cultural divides.
"Cyrus the Great was a transformational figure: an exceptional leader, general, and visionary. He was also the founder of the Achaemenid Persian Empire, which dominated the world stage from the Mediterranean to the Indus during the sixth through fourth centuries BCE. When Cyrus took the royal title "King of the World" in 539 BCE, it was closer to a literal reality than for any ruler before him in history. Cyrus the Great thus was an object of fascination even in antiquity, well-regarded among several peoples in almost every accounting of his life. This book treats the stories of Cyrus' birth, conquests, and reign through multiple perspectives, grounded in analysis of ancient sources from the Persians, Elamites, Babylonians, Judeans, and Greeks. Cyrus the Great remains a worthy object of attention for the imprint he left on world history, anywhere the ancient Achaemenid Empire touched in antiquity, and its legacy thereafter"--
Much medieval Persianate artwork--including books illustrated with exquisite miniature paintings--was disassembled and dispersed as isolated art objects. In The Arts of Iran in Istanbul and Anatolia, a literary historian and six art historians trace the journey from the destructive dispersal of fragments to the joys of restoration.
In the mid-1920s, Iran abolished honorary titles and honorifics and required people to adopt family names. H. E. Chehabi describes the public debates surrounding what was an important state-building effort. He traces the legislative measures and decrees that constituted the reform and explores the surnames Iranians chose or invented for themselves.
Ferdowsi's Shahnama: Millennial Perspectives celebrates the ongoing reception, over the last thousand years, of a masterpiece of classical Persian poetry. The epic of the Shahnama or Book of Kings glorifies the spectacular achievements of Iranian civilization from its mythologized beginnings all the way to the historical time of the Arab Conquest, when the notionally unbroken sequence of Iranian shahs came to an end. The poet Hakim Abu'l-Qasim, who composed this epic, was renamed Ferdowsi or "the man of Paradise" in recognition of his immortalizing artistic accomplishment. Even now, over a thousand years after his death in 1010 CE, the impact of Ferdowsi's epic poetry reverberates in the int...
These essays examine a millennium of humorous and satirical writing in the Islamic world. Humor in Arabic, Persian, and Turkish narrative emerges here as a culturally modulated phenomenon that demands examination with reference to its historical framework and that, in turn, communicates as much about its producers as it does about its audience.