Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Goethe and Lessing
  • Language: en
  • Pages: 380

Goethe and Lessing

  • Type: Book
  • -
  • Published: 1973
  • -
  • Publisher: Unknown

None

Love and Death in Goethe
  • Language: en
  • Pages: 348

Love and Death in Goethe

Explores the central theme of Romantic poetry in the works of the most important German Romantic poet of all.

Collected Moments
  • Language: en
  • Pages: 36

Collected Moments

  • Type: Book
  • -
  • Published: 1973-01-01
  • -
  • Publisher: Unknown

None

Goethe, Portrait of the Artist
  • Language: en
  • Pages: 392

Goethe, Portrait of the Artist

None

Heinrich von Kleist - Word into Flesh
  • Language: en
  • Pages: 312

Heinrich von Kleist - Word into Flesh

No detailed description available for "Heinrich von Kleist - Word into Flesh".

Interpretation
  • Language: en
  • Pages: 344

Interpretation

This book provides and defends an analysis of our concept of the meaning of a literary work. P. D. Juhl challenges a number of widely held views concerning the role of an author's intention: the distinction between the real and the implied" author; and the question of whether a work has not one correct, but many acceptable interpretations. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Borders of a Lip
  • Language: en
  • Pages: 240

Borders of a Lip

This book recasts questions about the overlapping boundaries of language, history, and politics that have been at the center of critical and theoretical debates in the study of Romantic literature and thought. While poststructuralism and deconstruction have been accused of privileging language over history, the New Historicism and other historicist and cultural approaches to literature have attempted to restore history's place in the study of literature. Taking its title from a reading of the word Lippe in Kleist's Die Hermannsschlacht, Borders of a Lip is drawn to neither of these poles, but instead to their meeting place or coincidence: the site of a border, a political or national boundary, even the boundary that is the political, the lip that is also the place of language. Through readings of Kant, Wordsworth, Kleist, Mary Shelley, Yeats, and Lyotard, the book examines the convergence of language and history that takes place in their work. Instead of placing language and history in absolute opposition, making the border an unbreachable limit, the book explores how crossing these borders (re)defines the political.

Don Carlos and Mary Stuart
  • Language: en
  • Pages: 400

Don Carlos and Mary Stuart

Don Carlos and Mary Stuart, two of German literature's greatest dramas, deal with the timeless issues of power, freedom, and justice. These new translations into blank verse are accurate, elegant, and playable. The introduction, notes, and chronology set the plays in their cultural and intellectual background, while a family tree explains the historical relationship between Don Carlos and Mary Stuart.

Friedrich Schiller
  • Language: en
  • Pages: 405

Friedrich Schiller

Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker against the background of his life.

Images of Goethe Through Schiller's Egmont
  • Language: en
  • Pages: 344

Images of Goethe Through Schiller's Egmont

John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time.