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Bilingual collection of 32 contemporary Russian poets writing in the tumult of the 1990s.
THE GRIP OF IT is a psychologically intense literary horror novel that deals in questions of home: how we make it and how it in turn makes us A chilling literary horror novel, Jac Jemc's THE GRIP OF IT tells the story Julie and James, a young couple haunted by their new home. The move―prompted by James's penchant for gambling, his inability to keep his impulses in check―is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But the house, which sits between lake and forest, has plans for the unsuspecting couple... The architecture becomes unrecognisable, decaying before their eyes. Stains contract and expand, mapping themselves onto Julie's body in the form of bruises; mould taints the water that James pours from the sink. As the couple search for the source of their mutual torment, they become mired in the history of their peculiar neighbours and the mysterious previous residents of the house. Written in eerie, powerful prose, THE GRIP OF IT is an enthralling and psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, inhabiting the bodies and the relationships we cherish.
This guide highlights the place of translation in our culture, encouraging awareness of the process of translating and the choices involved, making the translator more 'visible'. Concentrating on major writers and works, it covers translations out of many languages, from Greek to Hungarian, Korean to Turkish. For some works (e.g. Virgil's Aeneid) which have been much translated, the discussion is historical and critical, showing how translation has evolved over the centuries and bringing out the differences between versions. Elsewhere, with less familiar literatures, the Guide examines the extent to which translation has done justice to the range of work available.
Valentina Polukhina is professor emeritus at Keele University. She specializes in modern Russian poetry and is the author of several major studies of Joseph Brodsky and editor of bilingual collections of the poetry of Olga Sedakova, Dmitry Prigov, and Evegeny Rein. Daniel Weissbort is cofounder, along with Ted Hughes, and former editor of Modern Poetry in Translation, professor emeritus at the University of Iowa, and honorary professor at the Centre for Translation and Comparative Cultural Studies at the University of Warwick. Co-editor of Twentieth-Century Russian Poetry (Iowa 1992), he is also the translator of more than a dozen books, editor of numerous anthologies, and author of many collections of his own poetry. His forthcoming books include a historical reader on translation theory, a book on Ted Hughes and translation, and an edited collection of selected translations of Hughes.
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Put...
ndr Frogmorton is an Earth Mage on long range reconnaissance when he lands a bit too close to a black hole. Angel his sentient ship computer dives into the gravity well in an attempt to slingshot back out and transits to an alternative universe, they arrive in an area adjacent to a deep space trade route which obviously goes somewhere. They set up a forward base on a convenient asteroid and monitor the trade rote. One day while monitoring they observe a vessel acting suspiciously, and eventually identify that it has attacked a vessel as it enters space on the trade route, they assume that this is not appropriate conduct and go to the assistance of the vessel. After taking out the attacker th...
A raft through the last twenty-five years of Soviet History.
Webb Foster built a laboratory at the edge of the solar system to be left alone to do his work, however the Planetary Council still came calling...ExcerptWebb Foster was the greatest scientist in all the solar system. This, at least, had been the consensus of opinion at the last assemblage of the planets. Webb, however, had protested the accolade and offered Ku-mer of Mars in nomination for the coveted honor. But Ku-mer received only two votes--his own and that of Webb Foster. Whereupon, with Martian blandness, he had retired from the conclave and left an undisputed field to his generous rival.Webb Foster was sincerely sorry for him. He knew the proud sensitivity of the Martians, beneath the...
One of Russia's most accomplished younger poets, writing with a complex synaesthesia of sound and memory
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