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A vibrant history in graphic art of the Wobblies, published for the centenary of the founding of the Industrial Workers of the World.
A history of the International Workers of the World (IWW) in Australia, this book is both lively and scholarly.
Dubofsky's careful historical treatment does not support or deny the ideology of the "Wobblies", but rather he attempts to understand the leadership and motivation of the early twentieth-century labor movement.
In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang. Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from o...
Traces the history of labor unions and the labor movement from America's colonial era, through the Industrial Revolution, to the present
The Industrial Workers of the World, or Wobblies, a radical labor union, played an important role in Oklahoma between the founding of the union in 1905 and its demise in 1930. In Oil, Wheat, & Wobblies, Nigel Anthony Sellars describes IWW efforts to organize migratory harvest hands and oil-field workers in the state and relationships between the union and other radical and labor groups such as the Socialist Party and the American Federation of Labor. Focusing on the emergence of migratory labor and the nature of the work itself in industrializing the region, Sellars provides a social history of labor in the Oklahoma wheat belt and the midcontinent oil fields. Using court cases and legislatio...
Red November, Black November is a study of the culture of the I. W. W. movement at the turn of the twentieth century. It analyzes the Wobblies use of cultural expressions such as songs, poems, and cartoons as a means of educating and unifying workers, and as weapons in the struggle against the repressive social conditions of industrial development. The book emphasizes the important role played by immigrant activists, Wobbly artists, and intellectuals, offering a fascinating portrait of the complexity of pre-World War I labor radicalism.