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Framing Faust
In this interdisciplinary cultural history that encompasses film, literature, music, and drama, Inez Hedges follows the thread of the Faustian rebel in the major intellectual currents of the last hundred years. She presents Faust and his counterpart Mephistopheles as antagonistic—yet complementary—figures whose productive conflict was integral to such phenomena as the birth of narrative cinema, the rise of modernist avant-gardes before World War II, and feminist critiques of Western cultural traditions. Framing Faust: Twentieth-Century Cultural Struggles pursues a dialectical approach to cultural history. Using the probing lens of cultural studies, Hedges shows how claims to the Faustian...
Dada and Surrealist Film
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Surrealism and Women
These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surre...
A Cinematic Artist
The American artist Man Ray was one of the most influential figures of the historical avant-garde, contributing significantly to the development of both Dadaism and Surrealism. Whilst his pioneering work in photography assured him international acclaim, his activity in other areas, notably film, is to this day both unknown and undervalued. During the 1920s Man Ray made four short experimental films and collaborated on a host of other projects with people such as Marcel Duchamp, Fernand Léger, René Clair and Hans Richter. These works, along with a series of cinematic essays and home movies made during the 1920s and 1930s, represent the most important contribution to the development of an al...
Socialist Practice
The level of popular discontent—in the United States as elsewhere—has shown a dramatic increase in recent years, but has yet to crystallize into a cohesive anti-capitalist political force. Socialist Practice aims to contribute to a popular movement for socialism. It does so by 1) revisiting, under present conditions, longstanding questions of Marxist theory and revolutionary history, and 2) illustrating the range of issues, activities, and forms of expression that can both inform and be informed by a Marxist approach. Essays spanning a range of national experiences address the crying need to generate a society-wide awakening, grounded in purposeful discussion among all those (the vast majority) whose interests are ill-served by continuation of the status quo.
Narrative Comprehension and Film
Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
Kafka's Zoopoetics
Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogu...
Verita$
A critical examination of Harvard’s monumental but disconcerting global influence and power, this book examines aspects of Harvard’s history not generally known. The “hidden history” announced in the book’s title begins with analysis of Harvard’s involvement in the Salem witch trials and the trial of Sacco and Vanzetti. Similarly disquieting, Harvard provided students as strikebreakers in both the 1912 Bread and Roses textile workers strike and the 1919 Boston police strike. Harvard administrators and scientists promoted eugenics in the early twentieth century and had a deep impact on Nazi Germany’s race theories. Its contemporary ties to U.S. foreign policy and neoliberalism a...
The Revival of Civil Society
What is meant by the concept of civil society? Why do some equate it with liberal democracy, while others think it simply a guise for a market economy? Who benefits from globalization and who loses out? Can civil society prosper in an era of globalization? Can global civil society restrain some of the negative consequences of economic globalization? Through a series of unique case studies and theoretical inquiries, this volume provides a set of concrete answers to questions such as these.
Avant-Garde Film
This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1...
