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Violet's Star
About the Book Growing up in Germany as a single child, Inge Koch-Williams always had a very close bond with her dogs. She has been involved with rescuing dogs since she was 16 years old. After losing her chihuahua, Lilly, Koch-Williams was heartbroken, but she found the best medicine in Violet’s Rescue. They needed each other. Violet’s Star reminds us that all dogs have a story and they all deserve a chance. About the Book Inge Koch-Williams immigrated from Germany in 2006. She worked as an RN for 25 years. Here in California, she started Foster Care for Infants and she adopted two little girls, ages 5 and 8. Koch-Williams has one biological daughter, Ruth Koch, who lives in Germany and illustrated Violet’s Star. In 2021, Koch-Williams lost her husband of 15 years to Covid-19.
Analysis of Multivariate and High-Dimensional Data
This modern approach integrates classical and contemporary methods, fusing theory and practice and bridging the gap to statistical learning.
Tennessee Williams, T-shirt Modernism and the Refashionings of Theater
Tennessee Williams, T-shirt Modernism and the Refashionings of Theater reappraises the received wisdom that Williams’s work fell into decline in the late 1960 as the Naturalism he was associated with, not always through his own choice, was replaced by European theatrical experimentalism and as culture saw a lifting of sexual restrictions. It suggests, instead, that Williams was always experimental, always more Chekhov than Ibsen, a lyrical playwright inflected with the poetry of Harte Crane, and that his late plays are as central to Williams’s reshaping of American theater as those works of the immediate post–World War II era that brought him fame and fortune. Its general aim, then, is to engage the perception that “Tennessee Williams is the greatest unknown playwright America has produced” (David Savran, City University of New York). In many respects the work of Tennessee Williams, after a protracted period of neglect, is primed for reappraisal , reinterpretations and, subsequently, re-stagings. This work is part of that process, academically at very least, but performatively as well as academic reinterest often regenerates theatrical reinterest.
William Faulkner and Joan Williams
This work looks closely at the relationship between William Faulkner and Memphis novelist Joan Williams. Their story is significant not only in its depth but also in the years of their primary involvement, 1949-1953--a period over which Faulkner won both the Nobel Prize and a National Book Award. This is the first book-length study of the Faulkner-Williams relationship, and the first truly attentive consideration of Joan Williams, her impressions of Faulkner, and her commitment to writing. Until now, Williams, an acclaimed novelist, was an "outside" woman in Faulkner's life. Their affair and friendship is worthy of its own story. Included here are extensive interviews with Williams conducted over several years about her relationship with Faulkner, their correspondence, and discussions of both his work and her own. It includes all of Williams's letters to Faulkner and his letters, either directly reproduced or paraphrased.
Marianne Dreams
It was while she was ill and in bed for several weeks that Marianne found the pencil. It looked quite ordinary, but it wasn't. The things she drew with it - a house, a landscape, the face watching at the window - came alive in her dreams. Sometimes what she drew was good and friendly; sometimes bad and frightening. Once, without quite meaning to, she put herself and the boy in her dreams into a very real danger, from which the only possible escape needed more courage than Marianne thought she could possibly find ... The story has been adapted for the major feature film Paperhouse starring Charlotte Burke as Anna (Marianne), Elliot Spears and Ben Cross.
Bad Island
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and things do not go well for the island. Civilization rises as towers of stone and metal and smoke, choking the undergrowth and the creatures who once moved through it. This is not a happy story and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood carves out a mesmerising, stark parable on environmentalism and the history of humankind.
