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Archaeology.
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"One of nine volumes published ... to celebrate the Eleventh International Congress of Greek and Latin Epigraphy at Rome in 1997, [it] ... attempts to register all ancient Greek and Latin inscriptions in museum, university, and private collections in the United States. " -- Back cover.
For the first six centuries from the institution's foundation, Latin was the language spoken and written at the University of Oxford. It's no surprise, then, to find that the inscriptions carved into the monuments, colleges and municipal buildings of the city are for the most part also in Latin. It is also a language which lends itself to compression, so an inscription in Latin uses fewer characters than English, for example, saving space and money. But what do they all mean?For this book Reginald Adams has assembled, translated and explained a wide selection of Oxford's Latin inscriptions (and a few Greek ones). These can be found in many accessible places in both city and university, datin...
From the archaic period onwards, ancient literary authors working within a range of genres discussed and quoted a variety of inscriptions. This volume offers a wide-ranging set of perspectives on the diversity of epigraphic material present in ancient literary texts, and the variety of responses, both ancient and modern, which they can provoke.
By Roman Hands takes Latin out of the textbook and allows students to see and translate Latin as it actually appeared on Roman monuments, walls and tombs. The first collection of entirely authentic and un-adapted inscriptions and graffiti accessible to beginning and intermediate students of Latin, By Roman Hands unites the study of language and culture in a novel and compelling way and at a level that the Latin can be grasped and discussed by early Latin learners. Ranging from a love letter hastily scratched on a Pompeian wall to the proclamation of an emperor’s achievements formally inscribed on a monumental arch, these carefully selected texts afford fascinating glimpses into the lives and minds of the Romans, even as they illustrate and reinforce the basic elements of the Latin language. This edition, revised to work in parallel with the second edition of Susan Shelmerdine' s Introduction to Latin or any standard beginning Latin text, includes more texts and illustrations, and an additional section of inscriptions for practice and review.
The perfect guide for anyone who wishes to understand the Latin inscriptions they discover on their travels, and gain a fresh insight into the lives of everyday Romans. Latin inscriptions can appear daunting - a jumble of letters without any structure or meaning. However, once their formulaic style is explained, most are easy to read. Requiring no prior knowledge of Latin, this book will teach readers how to decipher inscriptions and will demonstrate how even the smallest detail scan help us to reconstruct the daily life of ordinary Romans. Whilst surviving literature often relates only to the lives of those wealthy enough to afford books, inscriptions were texts intended to be seen and used by all. As a result, they shed light on the lives of those less visible in the archaeological record - the poor,women and slaves. Illustrated with the best examples of inscriptions from the British Museum's Roman collection, this book will explore what it meant to put up a public inscription and how they became standardised to ensure Romans from all over the Empire could read them.
This book advances our understanding of the place of Latin inscriptions in the Roman world. It enables readers, especially those new to the subject, to appreciate both the potential and the limitations of inscriptions as historical source material, by considering the diversity of epigraphic culture in the Roman world and how it has been transmitted to the twenty-first century. The first chapter offers an epigraphic sample drawn from the Bay of Naples, illustrating the dynamic epigraphic culture of that region. The second explores in detail the nature of epigraphic culture in the Roman world, probing the limitations of traditional ways of dividing up inscriptions into different categories, and offering examples of how epigraphic culture developed in different geographical, social and religious contexts. It examines the 'life-cycle' of inscriptions - how they were produced, viewed, reused and destroyed. Finally, the third provides guidance on deciphering inscriptions face-to-face and handling specialist epigraphic publications.