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Front Cover -- Title Page -- Copyright -- Contents
Madwomen
A schoolteacher whose poetry catapulted her to early fame in her native Chile and an international diplomat whose boundary-defying sexuality still challenges scholars, Gabriela Mistral (1889–1957) is one of the most important and enigmatic figures in Latin American literature of the last century. The Locas mujeres poems collected here are among Mistral’s most complex and compelling, exploring facets of the self in extremis—poems marked by the wound of blazing catastrophe and its aftermath of mourning. From disquieting humor to balladlike lyricism to folkloric wisdom, these pieces enact a tragic sense of life, depicting “madwomen” who are anything but mad. Strong and intensely human, Mistral’s poetic women confront impossible situations to which no sane response exists. This groundbreaking collection presents poems from Mistral’s final published volume as well as new editions of posthumous work, featuring the first English-language appearance of many essential poems. Madwomen promises to reveal a profound poet to a new generation of Anglophone readers while reacquainting Spanish readers with a stranger, more complicated “madwoman” than most have ever known.
Jewish Writers of Latin America
Jewish writing has only recently begun to be recognized as a major cultural phenomenon in Latin American literature. Nevertheless, the majority of students and even Latin American literary specialists, remain uninformed about this significant body of writing. This Dictionary is the first comprehensive bibliographical and critical source book on Latin American Jewish literature. It represents the research efforts of 50 scholars from the United States, Latin America, and Israel who are dedicated to the advancement of Latin American Jewish studies. An introduction by the editor is followed by entries on 118 authors that provide both biographical information and a critical summary of works. Argentina, Brazil, and Mexico-home to the largest Jewish communities in Latin America-are the countries with the greatest representation, but there are essays on writers from Venezuela, Chile, Uruguay, Peru, Colombia, Costa Rica, and Cuba.
Unhomely Rooms
Even as he exposes the cultural fragmentation of Spanish America, Diaz's critical gesture allows strangeness to become an integral part not only of individuals, as Freud argues in "The Uncanny," but also of national cultural communities."--BOOK JACKET.
Science and Catholicism in Argentina (1750–1960)
Science and Catholicism in Argentina (1750–1960) is the first comprehensive study on the relationship between science and religion in a Spanish-speaking country with a Catholic majority and a "Latin" pattern of secularisation. The text takes the reader from Jesuit missionary science in colonial times, through the conflict-ridden 19th century, to the Catholic revival of the 1930s in Argentina. The diverse interactions between science and religion revealed in this analysis can be organised in terms of their dynamic of secularisation. The indissoluble identification of science and the secular, which operated at rhetorical and institutional levels among the liberal elite and the socialists in the 19th century, lost part of its force with the emergence of Catholic scientists in the course of the 20th century. In agreement with current views that deny science the role as the driving force of secularisation, this historical study concludes that it was the process of secularisation that shaped the interplay between religion and science, not the other way around.
Corporealities
A ground-breaking collection of essays that bring dance into the cultural studies mainstream, exploring the many ways we use our bodies as substantial, vital constituents of cultural reality.
