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World Encyclopedia of Contemporary Theatre
The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
World Encyclopedia of Contemporary Theatre
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
World Encyclopedia of Contemporary Theatre
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Nativismo y costumbrismo en el teatro argentino
Esta es la publicación de la tesis de doctorado defendida ante la Facultad de Filosofía y Letras de la Universidad de Buenos Aires en 2007. Esta tesis busca profundizar el conocimiento de un área del teatro argentino, el teatro nativista, que ha permanecido vigente a lo largo de un extenso período. Su presencia, productividad y evolución constituyeron un aspecto fundamental de nuestro teatro desde su surgimiento en 1896 hasta la década del cincuenta, especialmente durante el primer y segundo gobierno peronista. Un segundo aporte de esta tesis es que abordamos la búsqueda de la presencia del procedimiento del costumbrismo y el análisis de su significación en diferentes poéticas. Este procedimiento ha estado presente en nuestro teatro desde sus orígenes hasta la actualidad, signando y caracterizando al teatro argentino, que a lo largo de su historia siempre ha tenido un matiz costumbrista.
Romantic Drama
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
El Costumbrismo en el Teatro Argentino
Esta es la publicación de la tesis de doctorado que con el título “El costumbrismo en el teatro argentino” y con dirección del Dr. Osvaldo Pellettieri, Laura Mogliani presentó ante la Facultad de Filosofía y Letras de la Universidad de Buenos Aires. Esta tesis fue defendida en el año 2007, y su aprobación le permitió obtener el título de Doctora en Historia y Teoría de las Artes. Su publicación electrónica permitirá darle difusión en forma completa, respetando la estructura original, más allá de las diversas publicaciones fragmentarias que ya ha tenido. Esta tesis busca profundizar el conocimiento de un área del teatro argentino, el teatro nativista, que ha sido hasta ah...
Staging Frontiers
Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.
