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A poignant and powerful coming of age story perfect for fans of Wonder and The Thing about Jellyfish You've never met anyone exactly like twelve-year-old Sarah Nelson. While most of her friends obsess over Harry Potter, she spends her time writing letters to Atticus Finch. She collects trouble words in her diary. Her best friend is a plant. And she's never known her mother, who left when Sarah was two. Since then, Sarah and her dad have moved from one small Texas town to another, and not one has felt like home. Everything changes when Sarah launches an investigation into her family's Big Secret. She makes unexpected new friends and has her first real crush, and instead of a "typical boring Sarah Nelson summer," this one might just turn out to be extraordinary.
Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible that blocks the path to change.
Grab your skis, ice skates, and snowboard and learn how the Winter Olympic Games became a worldwide phenomenal event watched by millions. Although fans the world over have been fascinated by the modern Summer Olympics since 1896, the Winter Olympics didn't officially begin until 1924. The event celebrates cold-weather sports, displaying the talents of skiers, ice skaters, hockey players, and, most recently, snowboarding. Like its summer counterpart, the Winter Games are dedicated to bringing together the world's top athletes to honor their talents and see who gets to stand on the medal podium. Gail Herman covers it all in a wonderful read--the highs, such as the 1980 US hockey team's unexpected gold medal grab, as well as the lows, including the Tonya Harding-Nancy Kerrigan figure-skating scandal in 1994. Includes 80 black-and-white illustrations and a 16-page photo insert.
Exploring the poet's fascination with the affective power of caricature, Baudelaire's “Argot Plastique” charts the movement in Baudelaire's poetry toward a language of visual distortion. McLees demonstrates that caricature, graphically and culturally a vehicle of sharp wit and social commentary, became in Baudelaire's works a poetic expression of the human condition itself. Using its capacity for deflating commentary to subvert the poetic conventions of his age, transferring its range of subjects into a poetry that celebrated the underclass, Baudelaire ultimately focused the lens of poetic caricature on the relation of subject, artist, and viewer. Richly illustrated with lithographs, etchings, and drawings by Goya, Daumier, Grandville, Gavarni, and other caricaturists, Baudelaire's “Argot Plastique” reveals the importance of caricature as a model for Baudelaire's poetry.
First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium: * explains the defining characteristics of animation as a cinematic form * outlines different models and methods which can be used to interpret and evaluate animated films * traces the development of animated film around the world, from Betty Boop to Wallace and Gromit. Part history, part theory, and part celebration, Understanding Animation includes: * notes towards a theory of animation * an explanation of animation's narrative strategies * an analyis of how comic eve...
Barbaric Intercourse tells the story of a century of social upheaval and the satiric attacks it inspired in leading periodicals in both England and America. Martha Banta explores the politics of caricature and cartoon from 1841 to 1936, devoting special attention to the original Life magazine. For Banta, Life embodied all the strengths and weaknesses of the Progressive Era, whose policies of reform sought to cope with the frenetic urbanization of New York, the racist laws of the Jim Crow South, and the rise of jingoism in the United States. Barbaric Intercourse shows how Life's take on these trends and events resulted in satires both cruel and enlightened. Banta also deals extensively with L...
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic&—dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting&—that defines an art of modern life. In particu...
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together. Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related ...
Publikace se zabývá situací na knižním trhu v České republice v době covidové pandemie s přesahem až do března roku 2023. Popisuje průběh pandemie a zároveň analyzuje, jak ji prožívali a jak na ni byli nuceni reagovat nakladatelé, knihkupci, knihovny, čtenáři i autoři. Součástí této deskripce jsou výzkumy všech rozhodujících aktérů nejen knižního trhu a jeho metamorfóz, ale i chování a jednání rozličných subjektů knižní kultury. Výzkumy byly uskutečněny v konfrontaci přibližně ročních časových úseků pandemické krize ve spolupráci s renomovanou sociologickou agenturou a za účasti studentů Fakulty sociálních věd Univerzity Karlovy. Jak nakladatelé, tak knihkupci a knihovny jsou zde zastoupeni v plné šíři a reprezentativnosti, čtenáři v sociologickém generačním vzorku ve věku 18 až 26 let, ale i dalších věkových skupin. Publikace je doplněna grafickou částí spolu s domácími výzkumy renomovaných odborníků. Autory jsou pedagogové a absolventi Institutu komunikačních studií a žurnalistiky Fakulty sociálních věd Univerzity Karlovy.