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Ancient Near Eastern Art in Context
Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter's scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.
On Art in the Ancient Near East Volume I
This volume of collected essays brings together for the first time the range of Winter’s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield ‘history’ in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
Who Owns Antiquity?
Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nati...
Ancient Near Eastern Art in Context
Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter’s scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.
“A Community of Peoples”
A “Community of Peoples”: Studies on Society and Politics in the Bible and Ancient Near East in Honor of Daniel E. Fleming draws together a diverse community of scholars to honor the career of Daniel E. Fleming as a historian of the Bible and ancient Near East. Together, these scholars participate in a dynamic historical enterprise, each one positioning themself along a Middle Eastern spatial-temporal continuum stretching from the Old Babylonian to the Persian periods. Each contributor attempts to touch a sliver of ancient history, whether a particular person or community, a text or visual image or scribal process. They do so through a diversity of methods and disciplines, which together reflect the possibilities and promises for history writing. The Harvard Semitic Studies series publishes volumes from the Harvard Semitic Museum. Other series offered by Brill that publish volumes from the Museum include Studies in the Archaeology and History of the Levant and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.
Winter Fun for Everyone!
Three stories of winter fun featuring Belle and the Beast, Rapunzel and Pascal, and Jasmine and Aladdin.
The Poetics of Visuality
Justin J. White explores the nature of images in ancient Israel through a reconceptualization of the relationship between image and text. He proposes that in ancient Israel, texts evoked images as a core part of their rhetoric. Rather than conceptualizing texts and images as ontologically or functionally distinct media, he argues that both media are mixed media even while neither medium is reducible to the other. In order to make this argument, he focuses on the visual aspects of textual rhetoric-what he terms "the poetics of visuality." He builds his argument across three text-specific axes of visual rhetoric: ekphrasis, the visual imagination, and material agency. He makes the claim that each of these three axes are endemic to Israelite literature, and mutually contribute to the formation of a robust ontology of visual representation in ancient Israel.
The Wealth of Nations
"Michael J. Chan argues, on a methodological level, for the deeper integration of iconographic materials into the task of tradition history-a method that has tended to focus on textual evidence alone. Following the work of O.H. Steck, however, 'tradition' is understood in more flexible terms, to refer to inherited concepts and constellations, which can exist across multiple media. The author undertakes a tradition-historical study of the 'Wealth of Nations Tradition' - a series of texts in which the foreign nations of the earth bring their wealth to Zion (1 Kgs 10:1-10, 13, 15//2 Chr 9:1-9, 12, 14; 1 Kgs 10:23-25//2 Chr 9:22-24; Pss 68:19, 29-32; 72:10-11; 76:12; 96:7-8//1 Chr 16:28-29; Isa 18:7; 45:14; 60:4-17; 61:5-6; 66:12; Zeph 3:10; 2 Chr 32:23). The Wealth of Nations tradition is found throughout the ancient Near East. Michael J. Chan shows that in some cases, the biblical texts reflect this tradition with little to no modification while in others the tradition is recast in creative and disruptive ways"--
Writing and Reading War
The meaning of war: definitions for the study of war in ancient Israelite literature / Frank Ritchel Ames -- Concepts of war in the Hebrew Bible: a plaidoyer for book-oriented study / Jacob L. Wright -- Fighting in writing: warfare in histories of ancient Israel / Megan Bishop Moore -- Assyrian military practices and Deuteronomy's laws of warfare / Michael G. Hasel -- Siege warfare imagery and the background of a biblical curse / Jeremy D. Smoak -- Wartime rhetoric: prophetic metaphorization of cities as female / Brad E. Kelle -- Family metaphors and social conflict in Hosea / Alice A. Keefe -- "We have seen the enemy, and he is only a 'she'": the portrayal of warriors as women / Claudia D. Bergmann -- Conquest reconfigured: recasting warfare in the redaction of Joshua / Daniel Hawk -- "Go back by the way you came": an internal textual critique of Elijah's violence in 1 Kings 18-19 / Frances Flannery -- Shifts in Israelite war ethics and early Jewish historiography of plundering / Brian Kvasnica -- Gideon at Thermopylae?: on the militarization of miracle in biblical narrative and "battle maps" / Daniel l. Smith-Christopher.
Cities and the Shaping of Memory in the Ancient Near East
This book investigates the founding and building of cities in the ancient Near East. The creation of new cities was imagined as an ideological project or a divine intervention in the political narratives and mythologies of Near Eastern cultures, often masking the complex processes behind the social production of urban space. During the Early Iron Age (c.1200–850 BCE), Assyrian and Syro-Hittite rulers developed a highly performative official discourse that revolved around constructing cities, cultivating landscapes, building watercourses, erecting monuments and initiating public festivals. This volume combs through archaeological, epigraphic, visual, architectural and environmental evidence to tell the story of a region from the perspective of its spatial practices, landscape history and architectural technologies. It argues that the cultural processes of the making of urban spaces shape collective memory and identity as well as sites of political performance and state spectacle.
