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Vocabulary of Soviet Society and Culture
Irina H. Corten's Vocabulary of Soviet Society and Culture is an experiment in what Soviet scholars call lingvostranovedenie--the study of a country and its culture through the peculiarities of its language. Not a conventional dictionary, Corten's lexicon is selective, offering a broad sampling of culturally significant words in the areas of politics, ideology, the economy, education, arts and letters, social problems and everyday life as well as language associated with the personalities and activities of individual Soviet leaders. The entries are listed alphabetically in English transliteration followed by the Cyrillic, although readers familiar with Russian may prefer to use the Cyrillic ...
Turizm
In the Soviet Union and the eastern bloc, the idea of "vacation" was never as uncomplicated as throwing some suitcases in the car and heading for the beach. The emphasis was on individual self-improvement within the framework of the collective, an approach manifest in everything from the scheduling of physical exercise to the group tours organized for factory workers, Party cadres, and other segments of society. Like other Soviet-style utopian projects, socialist tourism, which was often heavily laden with rules and prescriptions, was a consciousness-raising project, part of the vast effort to forge new socialist men and women. Turizm is the first book to examine the history of tourism in Ru...
George Orwell's Theory of Language
Presently, there is not a single book that would offer a comprehensive description of George Orwell’s views on language. Andrey Reznikov’s work is the first attempt to fill this gap. Professor Reznikov puts together pieces of Orwell’s language puzzle, scattered throughout his essays, diaries, letters, radio talks, as well as works of fiction, and proposes the Newspeak model as Orwell’s way to outline his theory. The theory is then tested with actual examples from three languages – modern English, Nazi German, and Soviet Russian. Finally, the author describes bias-free language as an implementation of Orwell’s ideas. The new edition includes an afterword analyzing Newspeak of the 21st century.
Russian Women, 1698-1917
"Women can do everything, men can do the rest.""Between a woman's 'yes' and a woman's 'no,' it's hard to pass a needle.""What goes in with mother's milk goes out with the soul." --Russian proverbsThis rich anthology of source materials makes available for the first time in any language an extensive variety of primary sources on the lives of Russian women from the reign of Peter the Great to the Bolshevik revolution. The selections are drawn from a wide variety of sources, published and unpublished, including memoirs, diaries, legal codes, correspondence, short fiction, poetry, ethnographic observations, and folklore, with primacy given to sources produced by women and previously unavailable ...
George Orwell's Theory of Language
There is not a single book that gives a systematic description of George Orwell’s views on language. Andrei Reznikov’s work is the first attempt to fill this gap. Reznikov puts together the pieces of Orwell’s language puzzle, scattered throughout his essays, diaries, letters, radio talks and fiction, and proposes the Newspeak model as Orwell’s way to formulate his theory. The theory is then tested with illustrative examples from three languages—modern English, Nazi German, and Soviet Russian. Finally, the author describes bias-free language as an implementation of Orwell’s ideas.
A Guide to Scholarly Resources on the Russian Empire and the Soviet Union in the New York Metropolitan Area
Identifies collections held by public and university libraries, historical societies, and other institutions, as well as private collections, with material relating to any subject and historical period, and to the widest geographical area under imperial or Soviet rule. Includes movements for example
Pleasures in Socialism
This volume shows how the rise of consumer culture took a unique form in Eastern Europe. It investigates the ways in which pleasurable activities were both a space in which these communist governments tried to insinuate themselves and thereby further expand the reach of their authority.
Divided Dreamworlds?
With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.
Empire De/Centered
In 1991 the Soviet empire collapsed, at a stroke throwing the certainties of the Cold War world into flux. Yet despite the dramatic end of this 'last empire', the idea of empire is still alive and well, its language and concepts feeding into public debate and academic research. Bringing together a multidisciplinary and international group of authors to study Soviet society and culture through the categories empire and space, this collection demonstrates the enduring legacy of empire with regard to Russia, whose history has been marked by a particularly close and ambiguous relationship between nation and empire building, and between national and imperial identities. Parallel with this discuss...
Tribunal
Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts is a scathing satire on the 1960s/1970s Soviet show-trials by one of the most famous Soviet dissidents, who was sometimes called Russia’s ‘greatest living satirist.’ Based upon his reaction to the Sinyavski/Daniel trial in 1966, which caused him to begin to write harshly critical letters to Premier Leonid Brezhnev and finally resulted in his expulsion from the Soviet Union in 1981, Voinovich’s Tribunal is a monument to the Soviet dissidents of the Cold War period and a sardonic critique of the censorship and persecution of dissident writers everywhere. Voinovich’s classic comedy describes the black humoresque high jinks and outrageous shenanigans that ensue when an unsuspecting couple of Soviet citizens, Senya and Larissa Suspectnikoff, clutching their free tickets in their innocent hands, walk into a crowded theatre, expecting to watch a Chekhovian comedy, only to become caught up in the sinister machinations of a Soviet criminal tribunal and its madcap version of the Moscow show trials.
