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Iris Rowe
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Iris Murdoch
Iris Murdoch was both a popular and intellectually serious novelist, whose writing life spanned the latter half of the twentieth century. A proudly Anglo-Irish writer who produced twenty-six best-selling novels, she was also a respected philosopher, a theological thinker and an outspoken public intellectual. This thematically based study outlines the overarching themes that characterise her fiction decade by decade, explores her unique role as a British philosopher-novelist, explains the paradoxical nature of her outspoken atheism and highlights the neglected aesthetic aspect of her fiction, which innovatively extended the boundaries of realist fiction. While Iris Murdoch is acknowledged here as a writer who vividly evokes the zeitgeist of the late twentieth century, she is also presented as a figure whose unconventional life and complex presentation of gender and psychology has immense resonance for twenty-first-century readers.
The Visual Arts and the Novels of Iris Murdoch
This study reveals the visual arts as vital inspiration for many thematic and formal aspects of Iris Murdoch's fiction. It relates the paintings that appear in the novels to her experimentation with form, her attempts at rendering consciousness and to her philosophy. Finally, a study of characters who experience spiritual revelations in front of famous paintings endorses the centrality of the sublime in Murdoch's fiction and demonstrates how painting serves to liberate characters and readers alike from an illusory fantasy world.
Iris Murdoch and Morality
Iris Murdoch and Morality provides a close focus on moral issues in Murdoch's novels, philosophy and theology. It situates Murdoch within current theoretical debates and develops an understanding of her work as a crucial link between twentieth and twenty-first century writing and theory.
Iris Murdoch: Texts and Contexts
Using unpublished archive material, including correspondence and the many annotations Murdoch made to the books held in her Oxford library, this book offers fresh insights into Murdoch's work by placing it within a diversity of new contexts. It also reveals startling parallels between Murdoch's work and other literary and philosophical texts.
Iris Murdoch
This book is an eclectic mix of essays that reposition Murdoch's work in relation to current debates in philosophy, theology, literature, gender and sexuality, and authorship. The essays refine, develop or contest previous readings, and blur the distinction between liberal humanist and theoretical positions, suggesting negotiations between them.
Sacred Space, Beloved City
Sacred Space, Beloved City: Iris Murdoch’s London is a celebration of Iris Murdoch’s love for London and establishes her amongst distinguished “London writers” such as William Blake, Charles Dickens and Virginia Woolf. Individual chapters focus on the City, London art galleries and museums, the Post Office Tower (now the BT Tower), the statue of Peter Pan in Kensington Gardens, Whitehall and the River Thames. Each chapter identifies intricate links between the environment and human consciousness and is accompanied by a corresponding walk that links Murdoch’s plots to landmarks and routes. All essays and walks are illustrated with sketches by Paul Laseau. These drawings not only illustrate locations for identification but also conjure their atmosphere so that readers engage with how Murdoch’s characters experience their surroundings. The final London Glossary is an annotated index of the London place names mentioned in all of Murdoch’s 26 novels.
Beryl Halley
Born in rural Ohio in 1897, Beryl Halley was educated at a strict Freewill Baptist school. After briefly teaching in a one-room schoolhouse, she joined the navy in 1918 before her unlikely path led her to Broadway, then to the Ziegfeld Follies (1923-1925). She also appeared in Earl Carroll's Vanities and other revues, as well as in films, and had a widely publicized brush with the law (over alleged nudity) in 1926. She retired from show business in 1930, married an insurance executive and had a family, later reappearing in the public eye as an officer in the Ziegfeld Girls' Club. Making her home in Houston in the 1950s, she worked as legal secretary for a large law firm. Her death at age 90 was unpublicized. Her story is told here for the first time.
