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As Europe continues to expand and integrate through the European Union, it faces the challenge of ever increasing multilingual and multicultural contact, within and across its borders. This volume presents recent research on European language policy, language contact and multiculturalism that explores how Europe is meeting this challenge. Inspired by intersections and conflicts in language and cultural identity in Europe, the volume transcends disciplinary boundaries by enhancing sociolinguistic research with chapters on cultural identity and language in contemporary European cinema. The book considers the relationships between language and cultural identity in Europe at a time of increasing multicultural complexity, with contributions on Belgium, France, Germany, Italy, the Netherlands, Spain, Sweden and Ukraine, and the linguistic and imaginative spaces between and beyond. The volume highlights the ongoing significance of language and identity for an expanding Europe, and the ways in which situations of linguistic hybridity, interlocution and language contact continue to define Europe and its others.
Dance is the art least susceptible to preservation since its embodied, kinaesthetic nature has proven difficult to capture in notation and even in still or moving images. However, frameworks have been established and guidance made available for keeping dances, performances, and choreographers’ legacies alive so that the dancers of today and tomorrow can experience and learn from the dances and dancers of the past. In this volume, a range of voices address the issue of dance preservation through memory, artistic choice, interpretation, imagery and notation, as well as looking at relevant archives, legal structures, documentation and artefacts. The intertwining of dance preservation and creativity is a core theme discussed throughout this text, pointing to the essential continuity of dance history and dance innovation. The demands of preservation stretch across time, geographies, institutions and interpersonal connections, and this book focuses on the fascinating web that supports the fragile yet urgent effort to sustain our dancing heritage. The articles in this book were originally published in the journal Dance Chronicle: Studies in Dance and the Related Arts.
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As Europe continues to expand and integrate through the European Union, it faces the challenge of ever increasing multilingual and multicultural contact, within and across its borders. This volume presents recent research on European language policy, language contact and multiculturalism that explores how Europe is meeting this challenge. Inspired by intersections and conflicts in language and cultural identity in Europe, the volume transcends disciplinary boundaries by enhancing sociolinguistic research with chapters on cultural identity and language in contemporary European cinema. The book considers the relationships between language and cultural identity in Europe at a time of increasing multicultural complexity, with contributions on Belgium, France, Germany, Italy, the Netherlands, Spain, Sweden and Ukraine, and the linguistic and imaginative spaces between and beyond. The volume highlights the ongoing significance of language and identity for an expanding Europe, and the ways in which situations of linguistic hybridity, interlocution and language contact continue to define Europe and its others.
Irma Stern was a women painter of the twentieth century. This book shares her letters, situating them in the context in which they were written. These letters shed light on parts of the artist's life: her unhappy love affairs, her volatile relationships and her travels into remote parts of Africa.
Brief history of Hereford cattle: v. 1, p. 359-375.