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The Hong Kong Modernism of Leung Ping-kwan
This book resolves around the fundamental question, “What is Hong Kong modernism?” To address this issue, C.T. Au identifies three significant characteristics: a renewal of traditions, an obsession with ordinary things, and an expression of concerns about social and political issues, shared among Western modernisms, Chinese modernism in the 1940s, and such Hong Kong modernists as Ma Lang, Liu Yichang, and Leung Ping-kwan (Yasi/Ye Si). This research concentrates on an examination of the major modernist tenets embodied in Leung’s literary works. Leung Ping-kwan is one of the most prominent and widely read Hong Kong modernist writers; however, there exist only a few scholarly works which ...
Tony Leung Chiu-Wai
Tony Leung Chiu-Wai investigates the rich, prolific career of an acclaimed leading man of Hong Kong and Chinese film and television: the star of more than 70 films and dozens of television series, and the only Hong Kong actor to earn the Cannes Film Festival's best-actor award. This book addresses the dynamics of media stardom in Hong Kong, mainland China and the East Asian region, including the importance of television series for training and promotion; the phenomenon of regional, transmedia stardom across popular entertainment genres; and cultural and political considerations as performers move among different East Asian production environments. Attentive to Leung's position in both East Asian and global screen cultures, the book addresses relations among acting, global stardom and internationally circulating film genres and acclaimed directors. Overall, this unique study of Leung – who the New York Times calls “one of the world's last true matinee idols” – illuminates challenges and opportunities for Chinese screen actors in local, regional and global cultural and industrial contexts.
A Spoonful of Murder
Shortlisted in the Children's Category in the National Book Awards 2018! It's the sixth murder mystery for The Detective Society! This time, though, one of them is the suspect... 'Carries the Murder Most Unladylike mysteries into new heights . . . meticulously plotted and consistently delightful, and I can't recommend it enough' New Statesman 'Superb' Telegraph ----- When Hazel Wong's beloved grandfather passes away, Daisy Wells is all too happy to accompany her friend (and Detective Society Vice-President) to Hazel's family estate in beautiful, bustling Hong Kong. But when they arrive they discover something they didn't expect: there's a new member of the Wong family. Daisy and Hazel think baby Teddy is enough to deal with, but as always the girls are never far from a mystery. Tragedy strikes very close to home, and this time Hazel isn't just the detective. She's been framed for murder. The girls must work together like never before, confronting dangerous gangs, mysterious suspects and sinister private detectives to solve the murder and clear Hazel's name - before it's too late . . .
The Legend of Ninja Cowboy Bear
A twist on the classic game of Rock Paper Scissors, this story celebrates the differences that make three friends unique.
Death in the Spotlight
Hazel and Daisy step into the spotlight to find the stage is set for murder in this thrilling seventh novel of the Murder Most Unladylike Mystery series. Hazel Wong and Daisy Wells return to London to face an entirely new challenge: acting. Danger has a nasty habit of catching up with the Detective Society though, and it soon becomes clear that there is trouble waiting in the wings at the Rue. And when one of the cast members is found dead, the friends and investigative partners must work together to untangle the web of jealousy and threats that surround them to catch the culprit before the curtains rise on opening night…and the murderer returns for an encore.
Unnamable
Charting its historical conditions and the expansive contexts of its emergence, the author challenges the notion of Asian American art as a site of reconciliation for marginalized artists to enter into the canon. Pressing critically on how the politics of visibility and recognition reduces artworks by Asian American artists to narrow parameters of categorization, this work reconceives Asian American art not as a subset of objects, but as a discursive medium that sets up the conditions for a politics to occur. By approaching Asian American art in this way, the author refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen than in te...
Bosses
Ghislaine Leung articulates an art practice, a life, and the necessity to act within a system of limitations. As an artist how can you get out of the hiding position? Her blocks are taken as raw material. To make art is to understand how you are, notice your prejudices and assumptions about value and acknowledge your hand in an unequal world, to recognise how you institute yourself while letting go of the outcome of work. Value is often internalised and mistaken as a positive quality: why does one seek again and again to exploit oneself? Poetic and close up, to the child and to the world, there is proximity without distance. Embodied, deep, with many entry points for the reader, 'Bosses' is Leung's matrix of motherhood, authorship, self-employment, dependency, love and action.
Tracing Contemporary Chinese Art
This book explores the author's ten-year ethnographic journey in different locations in Shanghai. His immersion in China’s art world is grounded in a topology of places and new ways of writing and deploying history today. The ethnographic approaches to experiencing, analysing and representing space offer a critical tool to explore a different version of realism invisible in the nominal art and art history paradigms. As the market and institutional norms are still being defined, this book also documents and analyses how individuals have strived to negotiate boundaries in the art world and thus create unique selfhood. Instead of conventional methods of periodisation and stylistic analysis, this book presents a historiographic strategy emphasising the philosophical significance of spatial realism to offer insights into history, subjectivities and political institutions.
Lotus Leaves
Leung Ping Kwan is one of Hong Kong's most acclaimed poets. His poems display a unique blend of the literary and the down-to-earth, of the modern and the traditional, of the serious and the humorous, of the local and the universal. In his own words, 'I want my poems about things to be a dialogue with the world, to learn and be inspired by the shapes, smells and colours of things….' This collection has been carefully curated, and is arranged under ten thematic sections: Lotus Leaves, Hong Kong, Macao, Foodscape, After the Book of Songs, Strange Tales: After Pu Songling, Clothink, Museum Pieces, Places and Friends, and Bitter-Melon and Others. These translated poems, and the delight they bring, are a celebration of the continuing legacy of a remarkable Hong Kong poet.
Dragons
Leung Ping Kwan brought as much talent and inspiration to the writing of his short stories as he did to his poems. 'I have drawn on magical realism to explore the absurdity of Hong Kong,' he wrote of the story 'See Mun and the Dragon' (1975) in which we find him using a simple, clipped style. The later story 'Drowned Souls' (2007) was written in a more symbolic, lyrical and more complex manner. Although the two stories are separated by over thirty years, and are in many ways so very different, dragons play a prominent part in both. The dragon has always been a fascinating creature, a complex embodiment of the timeless soul of China, symbol of the universal power of the imagination, of the creative energy and transformative possibilities of the Tao. Both of these enchanting stories are anchored in the author's idea of freedom and liberation."
