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Unnamable
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian Am...
Loss
"If catastrophe is not representable according to the narrative explanations which would ‘make sense’ of history, then making sense of ourselves and charting the future are not impossible. But we are, as it were, marked for life, and that mark is insuperable, irrecoverable. It becomes the condition by which life is risked, by which the question of whether one can move, and with whom, and in what way is framed and incited by the irreversibility of loss itself."—Judith Butler, from the Afterword "Loss is a wonderful volume: powerful and important, deeply moving and intellectually challenging at the same time, ethical and not moralistic. It is one of those rare collections that work as a multifaceted whole to map new areas for inquiry and pose new questions. I found myself educated and provoked by the experience of participating in an ongoing dialogue."—Amy Kaplan, author of The Anarchy of Empire in the Making of U.S. Culture
Crossing Oceans
With the increasing globalization of culture, American literature has become a significant body of text for classrooms outside of the United States. Bringing together essays from a wide range of scholars in a number of countries, including China, Japan, Korea, Singapore, and the United States, Crossing Oceans focuses on strategies for critically reading and teaching American literature, especially ethnic American literature, within the Asia Pacific region. This book will be an important tool for scholars and teachers from around the globe who desire fresh perspectives on American literature from a variety of national contexts. The contributors use perspectives dealing with race, feminism, cu...
The Exhibition and Experience Design Handbook
Today’s multi-modal, participatory exhibitions and attractions are bound by a desire to convey information, excite the viewer and create social and narrative experiences. Without design at the helm and employed effectively, these experiential moments would not become lasting memories that inform and inspire an increasingly sophisticated audience. This full-color illustrated handbook, based on the author’s research and expertise as an exhibition designer, educator, and critic, is the first title to simultaneously explain how to design exhibitions and attractions successfully; contextualize contemporary exhibition design practice through its historical and theoretical underpinnings; elevat...
Rebellious Histories
From the early 1970s to the mid-1990s, playwrights, novelists, filmmakers, visual artists, and prison writers from Sierra Leone and the United States brought a new attention to the events of the 1839 Amistad shipboard slave rebellion. As a testament of the human will to freedom, the story of the Amistad mutineers also describes the wide arc of the international circuits of capital, commerce, juridical power, and diplomacy that structured and reproduced the Atlantic slave trade for nearly four centuries. In Rebellious Histories, Matthew J. Christensen argues that for creative artists struggling to comprehend—and survive—pernicious manifestations of globalization like Sierra Leone's civil ...
Creating Justice in a Multiracial Democracy
American democracy is at an inflection point. Will we stride toward the 22nd century with evidence and will? Or will we lurch fearfully backwards, reinscribing the white supremist domination of the 19th century? After hundreds of urban protests in the 1960s, the presidential Kerner Commission, composed mainly of privileged white men, concluded, "It is time to make good the promise of American democracy to all citizens--urban and rural, white and Black, Spanish surname, American Indian and every minority group." Today it still is time--to reduce racial injustice, economic inequality, and poverty. Since the Kerner Commission, there has been little or no progress in some areas, and in other way...
Locating Asian Australian Cultures
Locating Asian Australian Cultures is a timely and challenging interdisciplinary compilation that sets a contemporary benchmark for Asian Australian studies and its future directions. In the dynamic field of diasporic Asian studies, Asian Australian Studies is an emerging and contentious area. While cognisant of issues and critical developments in North America, Europe, and Asia, Asian Australian studies forges its own specific engagements with questions of identity, racialization, and nationalisms in a world of globalized cultures and movements. This book deliberately engages with international perspectives on Asian Australian studies that offer contingent connections and address crucial qu...
Q & A Queer And Asian
What does it mean to be queer and Asian American at the turn of the century? The writers, activists, essayists, and artists who contribute to this volume consider how Asian American racial identity and queer sexuality interconnect in mutually shaping and complicating ways. Their collective aim (in the words of the editors) is "to articulate a new conception of Asian American racial identity, its heterogeneity, hybridity, and multiplicity -- concepts that after all underpinned the Asian American moniker from its very inception." Q & A approaches matters of identity from a variety of points of view and academic disciplines in order to explore the multiple crossings of race and ethnicity with s...
The Dream of the Audience
Performance art, video, ceramics, mail and stamp art, artist's books, and works on paper are part of the range of pioneering and influential work by Korean American artist Theresa Hak Kyung Cha that are showcased with scholarly essays in this exhibition catalog.
A Feeling of Belonging
When we imagine the activities of Asian American women in the mid-twentieth century, our first thoughts are not of skiing, beauty pageants, magazine reading, and sororities. Yet, Shirley Jennifer Lim argues, these are precisely the sorts of leisure practices many second generation Chinese, Filipina, and Japanese American women engaged in during this time. In A Feeling of Belonging, Lim highlights the cultural activities of young, predominantly unmarried Asian American women from 1930 to 1960. This period marks a crucial generation—the first in which American-born Asians formed a critical mass and began to make their presence felt in the United States. Though they were distinguished from pr...
